P4 Theater was founded 15 years ago, and I was involved in a friend's play called "My Poor Malat" for 13 years, when I was deeply attracted to the form of drama. In college, "The Rhinoceros of Love" was also seen, but the impression was weak, with only water on stage and women tied up, and a big snake circled over the top, and the rest was forgotten.
I've been a very inward person since I was a young man who was on the verge of being a crowd, who has never been a class manager, who has failed to perform well and does not like to play games. Impressively, it is only a few times that teachers have been humiliated in public without writing or cheating. I don't like to recite, I hate to turn around and do meaningless things, so I love painting. Remember when I learned to draw sketches, to draw balls, I could paint them all day for the edge of the ball, and I kept cutting them until it matched the circle in my heart.
I spent the fourth grade at a relative's house, and they were nice to me, but left my mother's life or did I feel a different kind of loneliness, and she would come to me every weekend, and I would drop her off through a window and drive her right through a fence. Once, I snuck an old book called The Unsolved Enquiry of the World out of my uncle's locker, and I never read it, and I've been in my bag ever since. It's all about the wonders, about the universe, about the special function, about the multidimensional world. One night, I saw blue flashes of light outside the window, and I was nervous, excited and scared, and finally comforted myself with a glass reflection, and I fell asleep.
Later, when I was an artist, I went to the beauty complex, I chose photography as a profession, and I didn't film people well, and when I lifted up the camera, I was scared, and I was scared. I've only been looking at the view and the street for four years, and I'm afraid of humans. A mask makes me feel strange and alienated, and all I take by pressing the fast door is hypocrisy, not truth. It wasn't until I broke up with my girlfriend in college for 13 years. Love is nothing.
I have a new sense that when the switch is on, it can ebb or accept magical fluctuations. It was only then that I understood what photography was, and I began to understand what was behind the mirror, and when you opened it, it would come to you. The rotation of two people is no longer a human being, it is a moving together, it is an understanding that goes beyond words and that acceptance and transmission become unobstructed, like freshmen, like swimming, like demons in love with angels, like dragons.
This is how P4 Theater starts to turn, and he wants to practice all his dreams, to rotate with everything, to try to dance with everything, to produce a return. Momentum, pause, tremors, even sound, retweeting, twirling, twirling, cutting, pouring in everything I can think of, making my future a reality. Today, eight years later, countless dreams have been born, countless dreams have been dashed, and the search for companions and passions by a single soul here will, of course, lead to destruction and destruction, while despair, frustration, regret, anger and grief become more and more normal. "Factual" always strikes at this tremors bubble once and for all, so that the narcissistic stings become more sharp, so that the armor is thicker, so that the mask in the mirror becomes more thick, so that "I" cannot lose and must be the king of others.
The bubble was so thin, it was so hard to keep it, it woke up in a dream and decided to make a film called Human Surrender, which was my dream for many years and in which it told me I had to do it. What's a movie? What am I? And this time, where are the cameras going?
Judes returned to Beijing from outside the country and is on his way to 510. I borrowed my friend's movie machine, the twins used ChatGPT to translate articles, and I easily invented a legend about the free wind: She looks at us there, cares about us, and she knows everything about us. She promised us that as long as we continued to do good work, there would be a lot of investment and that we would all live happily ever after. I'm in a faking interview, and too lame a lie is putting reality on top of it.
There is no money, no viewer, except for self-interest and self-pity, and no sick moaning, and for the sake of vanity, yes, and death and foregone. This stupid idea has been rolling into endless abysss in a strange swing. This is Human Surrender, who only puts himself into his own mixed story, and it starts to regenerate. It's not a movie, it's not a drama, it's a thing. This sentence continues to inspire me to continue to tell the story of Human Surrender. I feel very strongly that my destiny goes with this thing, which is constantly calling for a dynamic like I will meet you on the 26th.
The Last Rehearsal is a cultural and artistic exchange that combines theatrical performances, behavioural arts, sound scenes and artistic devices, and the performance lasts more than an hour. Throughout the process, we look forward to engaging with the audience, which will have a full photographic record and will eventually be placed in the Human Surrender film.
August 26 is only one time in our life, hoping that you and I can have a wonderful night together and feel that art brings us wonderful life experiences. The performers were all on the poster, and if they wanted more information, they could focus on the P4 Theater.
The Last Rehearsal
Event: final performance of the Human Surrender film
Time: 2023/8/26 (Saturday) 1930
Location: Stingfish Bookshop (intermediate theatre store)
Tickets: $99.
Detailed advice: additional captain (p4theater03)
Purchase of tickets: Cleaning of green 2D
Of course, the production and rehearsal of the real "Human Surrender" film is quite exciting and surprising, and the film will be finished after the "The Last Rehearsal" show. The first is to thank the three very talented actors who ended up performing " The Last Rehearsal " on the 26th, Wong Mon, Garrett and Seo-yeon, for recognizing them as my greatest gift to P4 Theater and for their trust and support, a love that transcends me. And there's the photographer Sword Fai, one of the first founders, who has been carrying the heavy responsibility of photography, and unfortunately missed some wonderful co-generation moments at the end of the shoot for work. Zhou Jinxon and Liu Jinxuan were also the first two participants in the film idea, while they performed most of their recording tasks while also providing creativity, writing scripts and participating in the production in depth. It is a great pity that actor Liao Wai was unable to participate in later rehearsals because of his work mobility and looks forward to working more with him later. This time, the music producer's work was highly professional, and on the 26th, a live sound show was held. Zhao Zhao, who is behind many of the players, is often shown to inspire us, and she will be present with her voice this time. To Binbin, Wu King-hee, and Li Zeyang, they play challenging roles in movies, and they feel their energy and infinite potential in rehearsals. Zhao Ziu Yi is the new star in the noise world and very much looks forward to his live noise show that day. Of course, more articles and clips will be written in the future detailing the history of the Human Surrender, and thanks to the limited space this time, there are too many others who need to be thanked: Judes, Crewe, Shei Yi Peng, Cao Kensoon, Zhang Sheng Ting, Jiang Jiaxuan, Seo Jinjiang, Liu Jian, Yong, Lee, Guo Sheng, Gun, Barbara, and thank you! Finally, I would like to thank our place, the stabbing fish bookstore for its support, and the wood and the yellow.
PS: In particular, the film was made not as a previously known model of film crews, but as an in-depth co-production, with no clear division of labour and employment. The duties that you assumed during the event were also constantly mobile and changing. Actors could be directors, photographers could be actors, recorders were actors and performers were observers.
Any word from day to day is likely to be the best line that we have, through our daily dialogue, embroiled into each other ' s hearts, to collide, to feel and to experience. The whole group is definitely not the kind of actor who goes over and over the lines and finishes the scene, and then waits for the director of the dictatorship to say "cut," but rather takes a risk in nature, explores a deep connection beyond social symbols, explores a way to counter an unpredictable crisis and change in the future, and calls for a return to trust and love.
