Garrett's role in "Human Surrender" is to play B, Seo Jinjiang and the fake Sharp, the text he wrote after the film's play "The Last Rehearsal", which he wrote before the show - "Human Surrender - this is the last rehearsal! It's true! It's true! It's all true!"
After the show, a lot of friends came to talk to me, and Gao said that every time I finished acting I was dirty, and Siri was worried that I was in a better mood. Judes said I'd sacrifice myself every time. The good guys would pay well.

I don't understand what you're saying. What's to thank, what's to worry about? How did I sacrifice myself? Not at all. But it's always dirty. It's true.
The show began with us sitting on the stage meditating, and I hope we can feel what happened to the audience, but it must be acknowledged that I did not feel anything, which was an unquestionable failure for me.
My eyes are open.
But I can't see anything.
I opened my ears.
But I can't hear anything.
I'm reaching out.
But I can't smell anything.

I opened my mouth.
But nothing can be said.
I'm holding my arm.
Can't lift anything heavy.
I've got my legs.
Can't walk anywhere.
I'm nothing.

I'm empty.
There's nothing inside of me.
Half the show I really wanted to run, and a couple of people walked out of the gallery, didn't know if to leave or go to the bathroom, so take me, I said. This is a total failure. I can't go on. Take me away.
Binbin did save the scene, and she pushed it all over at a time when we had to stop and repeat it. I know He Fa is acting, but I really want to counter it. That's good. That's good. But I don't have the strength anymore.
I can't hear what they say, I can't stand up, I want to find a tool, a hammer or something, and I want to kill them all.
Thank God we don't have any dangerous goods, or we might have gone to the legal news. I took the plastic rope off the stage and strangled their necks, and this was my prop an hour ago.
I woke up when I strangled Amon, Ugly and Binbin. I remembered they were my friends. We were acting.

So the play goes on, and we go back to the schedule we talked about a few days ago and follow the lines in the script, and it's the end.
I'm going to wrap everyone up in white cloth on the ground, and we're going to sneak out in the back yard, and there's only one white cloth left on the stage and we're gone. It's a magic trick.
As we usually get to the end of the game, Amon suddenly raises his head and asks me, "Is that what you want?" You want a place where nobody's gonna find you. It's a line outside the script. I was asked, and I said, "Yes, yes." I don't know if the answer was because I wanted to end the play, or if she really asked me the most critical question. I don't know, but I used all my energy to yell: Yeah, yeah.
Yesterday I was promised to discuss a new script with a squirming sheep, and when I woke up, I felt like I was having a cold. I sent a message that the cold was gone, but not because it was not so serious. I spent a day at home yesterday, and I suddenly wanted to thank you, and thank you, Amonco, for your ugly old Siri Judes, for making lamb chips... for everyone, although I don't know why I wanted to thank you.
Now I'm going to nobody's place so nobody can see me.
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To learn more about Human Surrender.
Afterward

Garrett was born in Shandong Taian in 1999, studied many years of film, and Hobo, director of Elephant Sitting, was a double alumni. After having been in deep contact with him during the film-making and rehearsal periods, it became clear that Garrett was really talented and he had a certain degree of certainty that many people lacked such a quality.
He always looked at the sky with his head, staring with his big eyes, and yelling when he was drunk. And then he drops his head down, leans down to his spine and shrinks into shrimp. He made a short film about the rain, and I liked it at first sight.
If you're interested in her, come and talk about the movie.


