HS4G VIEWING NOTE / Human Surrender
"Human Surrender"
FILM AS A ROOM THAT WATCHES BACK
Wen Guang
This article goes into Human Surrender with the dual meaning of anxiety, illusions, castration tension, separation of character from actor, second person call and "surrender".
VIEWING POSITION
Anxiety is not the subject, but the average quality of the film.
P4 Theater's "Human Surrender" film, the most interesting thing about the whole film is that it shows an anxiety, or that the whole film is in an anxiety, not just a lens, but also in sound design.
The whole film continues to sound, at an average pace, a blackboarded sound with a fingernail, or an approximation of body slime.
In the basic scenario of "director-director theatre", "films in movies" become the essence of anxiety, that is, the support of its illusion. And the role of "director" in the film is an imaginary spokesperson - even though he has spoken directly about anxiety, his words about anxiety have become our only feeder.
It's this point that keeps us from drowning in the drama's anxiety. In those scenes about stage, rehearsal, performance, we got a little breath.
VIEWING POSITION
Directed by: Save us from the illusion of anxiety.
That means that in an anxiety, we need a director, although according to the script, he's here to convey his grievances.
But with this discontent, the drama of anxiety has an external perspective, an illusion that pulls us away from anxiety itself.
This raises the question of castration, which, according to some viewers, is a theatre of acceptance of castration - we accept defects, idealism grows and so on. But isn't this complete acceptance of castration just enough to remove the tension of castration?
VIEWING DOOR / Audience entrance
If castration is accepted completely, the tension of castration is removed; the rest is not tranquillity, but the full internality of anxiety.
Without that gravity, we are precisely in the complete innermost of anxiety.
VIEWING POSITION
The separation of sheets, roles and actors
As a result, the final actor blindfolded himself with a bed sheet and would never come out. The actress asked, "Who can't see you? That's what you want?" The actor said, "Yes."
SCREEN STRILL / Image
Figure 01 is not a simple cover, but rather a "unseeable" boundary.
And that's when the real production team in the movie was in the camera. The male actor jumped out of the sheets, meaning that the actor left a role, left the stage and went to the production team, while the role remained in the theatre.
That, in my view, is what the title of " Human Surrender " means - the role that chooses to surrender, to remain in a permanent space and the actor leaves. It can be said, therefore, that actors have completed their mourning of the role, allowing it to live in an anxious ocean and thus to escape.
SCREEN STRILL / Image
The production team and the on-site device made "end" more like a separation rather than a closure after the backstage went dark.
VIEWING POSITION
The creator leaves the creation.
In other words, the whole movie is about the "past." The founders left the creation, thus abandoning what was before the world's history, and in the movies they were presented directly as anxiety.
So can we imagine such a perspective? In the anxiety of its own nature, there's a reference to second-person actors? The film is in English.
Shoot Self with You
I'm here for this.
VIEWING POSITION
Second person claims that the object is directed towards someone who has not yet arrived.
It is an impossible view of something that is headed towards someone who has not yet arrived (until the end of the film, as the actor leaves, the actor becomes the "outside perspective"). Or, when things are physicalizing people, they turn pure anxiety, which cannot be considered anxiety, into human anxiety.
SCREEN STRILL / Image
Figure 03 actors are in the same spot as the audience: they are not the ones who own the work, but the ones who are projected out of the world.
Here, the actor is in the same spot as the audience, and the actor is the actual viewer, who is projected into a world.
In the world, anxiety becomes anxiety. In a worldless view of things, anxiety, though not anxiety, pushes us into a world in its horrors, so it can be said that the second person, "you", calls for the future.
VIEWING POSITION
Two surrenders.
Finally, the word "surrender" can be said. If the first type of surrender is the fall of the role (inherent in the script), the second is the non-defeating role.
Like the actors in the film, we're going to do it later, and we can imagine the audience in reality, and we're going to watch it again. So here it's always open to people. This is the fact that the film retains some kind of unfinished nature (in other words, the second person's term "you" has never arrived), and it still has to be completed by the audience or surrendered to it.
SCREEN STRILL / Image
Figure 04 keeps a name in the tail file, as well as an incomplete separation: the list is not in possession, but a late registration.
Introduction by author
Dolan
Lacante Psychoanalyst, Psychologist. He lives in Nanjing.
Human Surrender file
This is a recruitment case for Human Surrender.
The Last Rehearsal, the The Last Rehearsal of Human Surrender
Art, the beginning of Human Surrender -- will aliens come again?
This is the last rehearsal! It's true!
Human Surrender, make me a whale. I have too little.
Human Surrender A Zoo and then you become a little girl...
Human Surrender R | "First Experiment in Beijing"
Human Surrender D. Zoo, one more time.
Human Surrender K. Twirlings.
Human Surrender S. Zoo, everything is new.
The Last Rehearsal of Love, Death, Human Surrender
Human Surrender disappeared from me - after the The Last Rehearsal.
No longer loyal to integrity - the final edition of Human Surrender Long Commentary
How words betray people - the original language structure of Human Surrender
"Human Surrender" as "the oracular work"
Why must the man with the camera surrender?
Closeness doesn't belong to two people.
Illustrated to you by the second person in the "Human Surrender"/Shoot Self with You
Novel, Zip, shoot me with you.
Don't finish me: from Eva to Human Surrender.