Personality PHA
Programma/Program
Declaration/plan
It's my plan.
Hero/History
Heroes/Histories
It doesn't matter if you can write it as a hero, but history has me on track.
Ambition/Ambiance
Vision/Climate
The birds gather, the mud falls, and my mission is to go back and forth.
Proramma Declare
The drama must be accompanied by deep-seated fear that Hamlet began to be surrounded by a ghost's father and that he was accompanied by fear that he would prolong all his decisions. It was not until the introduction of the Rat Catcher that the suspicion of uncles was confirmed, the regret of leaving, the courage to stir up madness and finally put his life into action.
The drama has made a hole in life where endless desires, despair and torture rest in peace, making impossible. And the final song of fate, and the valves glitter out of gold and yellow, and We meet the dreamers, and kiss the moon in the colour of the shaking.
Hero, the hero.
The half-gods, who bring fire and life to man, will never be given back, and they will never be asked for, and their debts will be settled in dreams. Give me the whole idea that the jams are going around, the runaways speed up the spin, and the seals bloom in the opening.
Say the eagle that burns my heart, the arrow piercs my heart, and the anxiety causes a rush of breathing, sweating hands and red cheeks. Don't worry, the world is refreshing, loading takes time, creating a brand-new you.
Ambition destination
Into the castle, strong stone walls and loyal soldiers will protect the master. Such empty ambitions can emerge from the heart and fall into the sea of the heart as the body turns back and forth in silence and noise.
In the wake of the events, the waves swayed the ships, and the thoughts of their homes only swung the spinning ark. And He who is not in the unknown direction and is not present, it is only in practice that he may be called upon, and that he may fight against the devil, and be born.
Programme
Set yourself a countdown, and then start thinking crazy about the final appearance. Temporary, imperfect, regret, compromise, weeping, lost, screaming, surprise, manic, out of control, collapse, betrayal, abandonment, salvation, coming. Time twists, fantasies spread.
The plan will never change, but do not abandon the prophecy. The similarity of the fractal structure extends it to the whole, and it is not just a trick to jump out the limit once and for all. In the analysis, the cracks are seized and the heterogeneity that cannot be compromised is maintained.
History History
A man ' s history is more of a history, and in my story, it is more true than those perfect grand narratives, even if they are woven with so many holes and holes. The grand landscape is full of closed artificially intelligent circuit boards, short circuits in ridiculous incest, self-deception acceleration games.
There is no difference between documenting life, macro and micro, and the history of experience and the unconscious of performance always reveal the most true secrets. No one can lie, no one can cross the sea. Write, become visible, so that time can be buried and the wounds that we can't erase.
Ambiance
There are always flashes, and man's arrogance lies in his attempts to quickly determine the cause around him. And mysterious nature can easily destroy that ridiculous human pride. A quiet atmosphere surrounds us.
Fear and madness are two sides of the coin, and experiments in theatre can constantly magnify the mind game. When the waves tremble and the rest of the sound is round, they will remember, and there will be a resonance. The answers hidden in the future are in the past, and the light of hope will shine in the end. In the underground city, the game of the brave fighting the dragon is played back and forth, and the invisible will return at some point in a more penetrating way.
Come on.
♪ Generate ♪
Cause
It has been eight years since the creation of P4 Theater in 15 years, with hundreds of projects, projects, experiments, interviews, events and public performances. These activities are difficult to define or describe with success and failure, and they happen. They are then recorded in text, images, photographs, etc., and then seen or disseminated on the Internet, hard drives, mobile phones, chat records. The participants and the creators of the event will each fabricate their own perspectives and memories, and once again the story will be heard in their own mouths.
Methodology
Watching the show.
Way
The drama brings together individuals in different situations, gathers in strange theatres to feel again the possibility of the unknown. Theatrical events in the P4 Theater have long had nothing to do with the "dramatic" as defined by the traditional perception, which is an experimental site of a series of mental movements carrying life. Seeing, playing and filming here are interlocking, and this is the approach that p4 has been following since its birth, so that the filming action must be embedded in the creation of the event, so that God's vision, coupled with peeking, can infiltrate and stir it up, take responsibility for the event and do the experiment.
Mission
I'm sorry.
Mission
Personal identity is an attempt to bring together all the P4 Theater projects (including: Real Image, P4U, P4X Challenge, p4 screenings, Operation Purple, North Wind Theatre, Love Theatre, one-person theatre, etc.) over the past eight years in an attempt to create a more effective and sustainable mechanism for free expression that allows everyone to express themselves more freely, while at the same time connecting creators with one another in a more relaxed, effective and trusted field, thereby creating a vibrant, reliable and mutually supportive ecological community.
Declaration
1. Personality is the game of our lives, in which we recognize ourselves in the name of drama and enter the new world.
2. Once a personal identity has been opened, collective creation in the presence will be recorded, and subsequent events will be uploaded to the Internet and seen by more people.
3. Personal aspirations are a window for public expression of one ' s aspirations, history, encounters, confusion, impulses, desires and actions, in which more people are called to participate, become involved, transform, help, benefit, rescue or resonate.
4. When recruitment is published, the course of events must be at odds with what is expected. When contradictions and difficulties come to pass, how to reconcile them or to move beyond them is what we must face when we embark on this path of practice.
5. Personal ambition is an opportunity to rediscover one ' s identity and a moment to leave one another, where self-loathing and subjugation are mirrored, depression goes hand in hand with rage, retreat and radical choice. And finally, to overcome the fear of shame, to jump out of comfortable inertia and to use sense to break the barriers of reason, love can be rekindled.
The projects that individuals wish to initiate are not confined to any form, and the starting point for all practice is to start with the concept of "how to re-establish relationships between people", to find exits for a limited period of time and to make more people feel new as a result of new connections.
7. The personal desire to look to the future, to find the break in the trail of history, to find the key, to open the door of dust and to allow each other to listen to that long-overdue call under a resonance. It may be long, or short, but it is our most valuable memory and our own experience of making it so that we can escape from those established areas.
8. Personal aspirations must be directed towards the public and must be directed towards the public. It is an emerging force, a shock that travels through time and space.
Recruiting the founders of the personal identity PHA will be the only entry point for P4 Theater to launch a project in the future, and we will explore the future together with our common aspirations and ideals, looking for the meaning of our existence as lives.
Come on.
Heart move.
Find the captain.
Together.
To be the founder.
Declare me to the world.
♪ Against the wind ♪
Participation in PHA protocol
1. (Start)
The first step in personal identity requires the creation of characters through two-to-five-hour in-depth interviews. The interview was recorded with cameras set up in both sides of the line of view and directed towards the narrative. The listener uploads the material after completion of the film to the public sign for a copy, after which the original video is refined and edited into a condensed version within 30 minutes to facilitate dissemination on the Internet.
2. (Arrangements)
Once the file is completed, the master can start his own dramatic life recruitment campaign, and let's go over your script and write about your future. During project launch, activities will be recorded and uploaded to the Internet to ensure the integrity and visibility of the archives.
3. (Initiation)
The personal aspirations are divided into six sections: proclamations, plans, heroes, history, ambition and atmosphere, all of which are without any limitations, and can be an entry point for your creation to launch projects of your own. It can be courtship, rehearsals, theatre readings, seminars, poetry clubs, theatres, screenings, exhibitions, divinations, break-ups, dance sauces, behavioural arts, theatre performances, stand-ups, etc.
4. (Restrictions)
There is no frequency or time limit for the initiation of a personal wish, but within the framework of the personal interest, the master cannot launch multiple projects at the same time and the next project can be launched after a project has been completed. When the project is launched, a public event must be reported to mark the end of the project. The project progress process will be documented, filmed and monitored for upload to ensure the integrity of the event.
5. (Staffing)
Personal aspirations are a way to motivate everyone to create, and the beginning and end of each record mark the process nodes of co-creation. We divide and distinguish between life and creation with or without records, and do not directly reflect the relationship between creation and fantasy in real human relationships when we return to everyday life.
6. (Support)
P4 Theater ' s support for personal identity includes, but is not limited to, site, record-keeping, advocacy, organization, planning, resource interface, media exposure, institutional cooperation, etc., intervention and value orientation in the event of an unexpected crisis situation. But there will be no interference or repression of the will of the sponsors and respect for the words of the master will be paramount.
7. (Responsibility)
The sponsors must be held accountable for the projects they have initiated and for the statements they have made, and must equally take into account, respect and protect the will, demands and security of the participants who have been recruited, if any violations have occurred or have been discovered, and cease all cooperation with the suspects.
8. (Time and space)
Individual identity projects are not limited to fixed locations, but can issue calls and requests in any corner of the globe, as long as they have equipment for recording and communicating actions and messages.