I was also talking to another friend about the serious French philosophy of "how to say what is possible" and "how to know the truth about the subject", which is, in the end, the question of "how is art possible". Or, it's a question of how art can make itself known and think that it's always said something about the author.

"Citizens" - The term refers to a "fixed" state, which implies a trust that, at the same time, sets the human frame in a realistic zone and blocks other possible worlds. This is the confidence in what can be implied, or the ability of a territorialized person to perform his or her own personal experience logically, methodically and peacefully, sitting in front of a table, and showing his or her entire flow. Localized individuals have themselves restricted their ability to engage in artistic production: They go to the Progress Hall and the Theatre, and there's only one in their eyes - the one that has been implanted in their heads ahead of time - and they try to find it on every stage, every piece of paper. That's the one thing that makes the humans of art, like the wind, dead and boring, dead and dead. Instead, everyday people are always living in this world, repeating their life the day before in a new day, both as a repetition and as a guarantee of the legitimacy and unity of purpose of a new day.

"Demolation": I like the term, which sounds like a kind of violence, a "disassembly" and a "dismantling" and a re-enactment of the subject of territorialization to open things, a wall that's sealed off outside the subject! It's a place where ideas drift through the theatre and sink into the wrinkles of a space assembled from the back of the seat, the dust of the air, the face of the actor and the sound of this thing, matching its history and experience with this wrinkle.

There is no saying that it is a substitute for direct artistic appreciation, just as Qatar itself sees no individual psychoanalytic activity as a substitute for the difference-experiential intensity of individual drift in space-human relationships. The relocation of the site is also an expression-assembly relocation, in a place where we finally have a chance to face each other, hoping that we can "demarcate" to the computer screen and guess if we are listening to self-preservation.

Philosophy Seminar

Event: Separatism-Gartali Seminar Second Lecture Meeting Underline

Time: 2023/3/16 (Thursday) 1900

Location: Beijing, Beijing, 200 metres from Gate C of the Tunnel Station (notify location after registration)

Speaker: Pink Sea

Cost: Free

Limited: 12

Registration: additional captain (p4theater03)