1. Torn people

(1) Order

"Advanced sound, beautiful closets, fancy cars, fine apartments..." That's his way of life.

He is a young man with a good educational curriculum vitae and perhaps a secret struggle. Work, work, cards, travels, flying. One-time relationships, one-time friends.

His monthly income is tens of thousands or even hundreds of thousands after tax. He had clearly understood that the society in which he lived was made up of power and capital. Although he was already perceived by most as a social elite, he remained cautious, fearing that the foundation in question would pay compensation, that the house he wanted to buy would be stormy, that a credit card bill would one day be fired.

So he began to study philosophy, anthropology, sociology, psychology, psychoanalysing, theology... the concert, the Livehouse and the art fairs, and he looked for more underground activities: behavioural arts, civic action organizations, creators of marginalized groups, small religious strongholds...

To alleviate his anxiety, he did more than that, and the exercise was becoming more and more extreme, from running basketball to skiing. Cigarettes and alcohol are regular customers, and he even wants to get some illegals... in a constant process of digestion

He has finally gained the strength to face the reality of society and become a real, elite.

(2) Freedom

She was completely liberated.

There are many labels for people like her: the unemployed, the poor who do not have social security, the artists.....she is not fed, but hungry. Everyone who knew her envied that she was a pure man, but she knew that everyone's envy was just a good Yip. Because even if she was talented, talented and talented, her "pure" would not bring her to the bottom of society.

So she went "crazy" and left her work on the street, on the Internet, in any space. The most ridiculous thing happened - the extreme labels of "dumb" and "genius" were taken by her. She struggled to find comrades to fight the outside world: every time she found a group of people, they walked away from her as they returned. A few years later, she had wrinkles on her face.

In the morning dream, she dreamt she was flying a boat floating in the ocean, an island in the middle of the sea, with her parents, friends, lovers, children... waving at her.

She's completely crazy.

(3) Torn humans

The words "he and her" in (1) and (2) are actually the same person.

It has two worlds of "ordering" and "freedom". Which one is true? He's lost his mind. He's a torn man, he must find his place, he knows what to do.

It's me, you, her, him.

Two, only play today.

What a drama? Three general answers.

People's answers: The drama, The Rhinoceros in Love, Beijing Humanism, Happy Queen

The answer to the performance system is Stanislavsky, Guo Cho, experience/expression, theatre, realism (though their "beautification of reality" is not realistic).

Answers from certain dramatists: aesthetics, space, environment, experiments, performances, theatre education (healing)

The answer is drama, but it's just the tip of the iceberg.

More broadly, the drama is torn human beings, torn and synthesized. Too many dramatic events have taken place on our land over the years.

We can see the drama not only in theatre, but in the corner of life. These dramatic events have affected our lives and forced us into one tear after another. Unfortunately, very few people in specific lives have the power to prove their imagination, to test their experience and to look back on their past. Theatricals, on the other hand, can create a more secure situation - tearing and rebuilding themselves constantly, connecting and hurting others.

The section provided an accurate summary of the three elements of the performance: what to do (mission), why (purpose), and how to do (adaptation). And the three essentials of the drama are crowned by the narrowness of the faculties: theatrical conflict, theatrical language, the stage description.

But the drama has three more important elements: who am I? Where am I? How can I live? This is not just the three elements of the drama, but the three elements of life.

All we have to do is use drama as a tool, fueling ourselves, penetrating through reality and confusion, reassembling the "torn humans" across the two worlds and building an ark of Noah in an isolated sea.

3. Tasks and objectives of workshops

Currently, most of the theatres in the market are "physically and spiritually" used by actors to satisfy the director's intentions and audience demands. The participants in this workshop are not only actors, but also writers, directors and even viewers.

(1) Mission: The so-called unicorn and theatre workshop, not to lead you to a so-called unicorn, but to a performance by everyone - "personally centred", may be a person, such as a person who is unable to do it formally, or who can find cooperation. But the focus is on - the individual.

(2) Purpose: This workshop will recruit six participants for one month (six courses) for training and creative work. At the end of the workshop, each one of the "self-centred" shows will be performed for more than 10 minutes, and for less than 30 minutes, the six solo shows will be presented in the form of a six-module show, which will be presented in public, with income divided equally among all.

4. Time, process and cost

(1) Time: six weekends within one month plus one public performance. ♪ Not less than five hours each ♪

(2) Process: Six participants served by sponsors. The first three sessions were devoted to theatre (creation, performance, autopsy) and the next three were devoted to the creation, scheduling and synthesis of works. [If time is not available, contact sponsors can be rehearsed at any time (on/underline) outside the workshop]

(3) The cost of a workshop is $250, for a total of six times at 1,500.

5. On the sponsors

My name is Kang Hae-joon. Born in 1997, age 25. It's not too young or too young to know. The first two decades were spent in chaos and fame hunting, and the following years in treasure hunting in the margins of sewers. I've done four independent works, and I've been able to write scripts that lead to acting. At a young age, he loved the theatre, performed a year-old theatre, went to the cinema school to study the second class and pursued the theatre award. When I got to Him, I began to think about the connection between theatre and myself and other people.

"The founder's previous work"

duration

26:07

PS

At 8 p.m. on the 26th of this month, I will have a piece, "kiss you, kill me ", in the Pilgrim district of Beijing, where interest in workshops can begin. To improve understanding. The following link is an introduction to the play

Theatrical scene.

A utopia plot.

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