I'm going to introduce you.
Darling, I'm always writing a bad poem and imitating a worker in the shadows. Ant
，
It's an exercise.
Honey, I'm sick of crying, but when I'm sad, I like to laugh.
Honey, when you cry, you're dizzy, like you're drinking.
I can't do anything, honey. I'm sober. I can only cry in the fragments of memory.
。
It's about me.
About the incomprehensible "he"
About the control group's "he"
About those sparkling and exciting eyes.
About the incorrect dreams and possibilities.
Who am I?
Fake.
It's the imagination of the ignorant.
Or the words of the saint.
Look to the end.
Stand at the foot of the mountain.
The truth of the pain.
Deny yourself.
Deny people.
Keep error
To uphold the truth.
In abstraction of want.
I see the light of the sea floor in my confusion.
Who am I?
Truth.
We've lost under the siege.
The sunset.
On the body of Juvent.
It's safe.
Who am I?
A white tatter.
A piece of bamboo.
A cloud of fresh air.
First-class debris.
I can't help it.
"The soul of the earth lies in its void."
It was unexpected to have been chosen at first.
And it's the first time I've ever been in a play, and it's the first time I've had physical contact with a woman, and I can't even shake my hand and say "I love you" to an actress because I've never been in a relationship, I've never been in a relationship and I don't know how to communicate with a character in a play.
I'm nervous whether it's a script or an improvisation, and in real life I don't talk to anyone so much that I'm not free of nature in the play.
After many rehearsals and exchanges with two actresses, I know how to get to the body show, but for me it's not enough to get close to a girl, even if it's a show. The first thing to do is to free nature, and I'm trying to do it.
Whether it's an unmindful crowd or an invisible combination, I seriously give them "life" and "souls".
This time, it's more like "life." The feeling of being chosen can no longer be described as "happiness", and I have to say thank the crew for choosing me.
At first, we rehearsed the first stage, and we made a lot of attempts, for example, to add some elements of music to the play, to play with the bass player's feeling of acting, to have a strong atmosphere and also to assist the actor's performance, which I felt very comfortable with.
Our script has now been changed, and it's Phoenix who has just begun to set me up as an objective observer, a god, with drums in his hand to accompany two other actors, and a change in the rhythm of drums, an externalization of the actor's psychological rhythm.
After that, when you met, you had new questions about the three-person relationship and the creation of the script, and you discussed it together. He Fa finally brought you together and put forward new ideas. My role was completely changed from being a god to being a part of another actor's relationship with an actress.
And then I started to play on the basis of character set and the screenplay, to bring my heart in, into the role and the drama, to make my own mind cleansed, to create this play, to the satisfaction of the staff of the same group, to the creation of the three actors, and then the rehearsals looked forward to making better things, the happy creation process, and I loved drama, and I was happy to be one of the creators.
Lead team.
Written by Li Yahoo
Actor: Shan, Wu Qiwu, Hu Xiaoxie, Raman the thief
Directed by Seo-soo
Video production: Sun Garret
Producer: He Fa
Music production: Zhao Zhi Yi
Implementation: Han Fengning
Make-up: Lee Ya-chul
Declaration: Mountains
Performance guidance
Under the sweep code, 2D. Add the guest ticket.