In the creation of The Howlerer on the ceiling, everyone who's been rehearsed and finally participated in the public show is an indispensable part of it, and without any effort, this creation is impossible!
And with strangers
An incredible creative plan.
19 November 2020
Project launch
🏃🏻♂️
👏🏻
30 November 2020
It's official.
15 December 2020
Start rehearsal...
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💃 💃 💃
2 January 2021
Mystery acting.
Welcome to more.
p4U creator interview
The owner of the newspaper.
X
Mr. Xu.
"Many are a challenge to me."
(fa = He Fa; xu = Xue; hua = Zhang Shaohua; cu = yellow sky; huo = volcano, shiyi = XI; zaoyi = zaoyi)
Fa: Heart and experience?
xu: I came to this theater by accident, and I didn't know at first that there was P4 Theater, and I had a friend who sent me the registration information, and I wanted to think that this was an opportunity for me... to exercise, to learn a lot from the show, and I liked it and needed it, and then I scanned it when he sent me this screenshot, and then I reported that he didn't report it, because he didn't report it without that (self-presentation) video, or he would have come here for an interview. It's a challenge for me to stand on stage after coming.
Shayi: Work is happy, work is happy.
xu: When I came to the theater, there were many challenges and changes for me. And from the very beginning, there were all kinds of games with you, what kind of "open yourself" -- something that I didn't touch before, because I did IT myself, and then this latest year, last year, I started to get to the film industry. Phone. I'll take this.
"I just don't want to stay in the comfort zone until then."
Fa: What does it feel like to be the boss?
xu: The first one was the bar owner, but you were better than me. I'm a little hesitant about what I'm saying about this character, because first the director wanted me to be a journalist, and then the dream was that I wanted me to be the owner of the newspaper, and then the dream was that the owner of the paper was a particularly honest person, and then he looked, and he looked at it, and he looked at it, and he looked at it objectively, and he especially lamented that I was going in that direction to understand the role, but then the director ended up saying that the characters in the show were all antisocial, and then he said that all of it was supposed to be fake, that it was supposed to be mean, that it was supposed to be mean, and then all of it was supposed to be so big that it was supposed to sound, and then it made me a little bit hesitant to say it and say it was really hard, and it was really hard. And then I said it was a little bit wrong before I went into my dream, and then I said it sometimes, and it just didn't seem natural to say it, because I didn't know what to do with it, and it was just that there was a little hesitation in that respect. And now, today, this morning, when we practiced, it was better than once, and it was felt that the sound was growing, and the state was getting in, and then the afternoon rehearsal was long and the feeling was back.
cu: I found a change in Xu Zhou, and you came here with a very small voice.
I'm here, I'm here. I'm here. 'Cause when I came here, when you guys came to me, I felt pretty bad about it. Because I'm special this year because I'm exposed to video. I was looking for resources to start with the video, and I was learning to perform, to promote some of my own platforms or opportunities, and then my friend signed up right after he sent it to me, and then I sent the video, and then I came here to practice like the director and everyone else, and that's all helping me. And now I feel like everyone's doing well when I'm watching everybody's acting, and then I feel like I'm acting really weird. Just, but everyone is willing to help me, to trust me and then to give me all kinds of guidance, and I don't want to miss it. And then I've been trying to change myself, and I just don't want to stay in the comfort zone before, and then understand the role, as I just said, at first teaching me how to be very decent, and then at the beginning I'm talking about every line that says I'm this guy. I think that his whole line should be a little loud, and it's mostly a pity for howlers and some of the questions to the world that should not come out like the one that followed, which was so loud, that the whole feeling changed. And now it's like, like the director said, who's the bad guy, who's the bad guy and who's the bad guy, and I don't know how.
CA: I think your insistence is right, your insistence, or your perception of the role of the villain.
xu: Feels like the line doesn't match the image of his character, and then I hesitate. And then when I was doing it, I was basically going to dream, and then slowly put a little bit of it in, and every line, that's, like, a little more stress on some emotional expression.
"A lot of thinking, but not expressing."
cu: So you usually write scripts or stories yourself?
xu: I write a little, short, long, depending on what I see, and sometimes I think about it, but I just can't say it, because I'm sitting down in my head at the beginning, thinking about the whole scene, and I'm doing it so hard and so flat, and I'm saying it with a little bit more sound than you think about it, but it's probably two words.
cu: Oh, but you wrote it down, right?
xu: Yeah, sometimes I write it down, and if I write it down, I'll work on it.
cu: Oh, hey, let me ask you a personal question, Xu Zhu, your real name is Xu Zhu, or your great name is Xu Zhu Zhu, and that Zhu Zhu?
xu: It was my parents who named me when I was a kid, and then Xu was a family member, the "senior" character, because in my village it was all lined up, and my brother's name was Xu Tian, and my name was Xu Xian. And when I was little, I was a parent.
cu: So your ID's for Mr. Xu?
xu: Yeah, and no one will ever call it after school. I've been called "steppin'" in school, "baby" like this. (Hush) It doesn't use much.
FA: Is your age the same as yours?
xu: I'm two years older, she's a chicken, I'm a sheep.
FA: How old are you? Twenty?
xu：29
Fa:29, ah. That looks young.
xu: Looks young and useless
Fa: Can you two evaluate each other's perception of each other in such a short time? Let's see what we can say.
xu: I think she's been acting naturally since the first time I saw her, and I wanted to be a bar owner at first, and I knew how bad she was at first. After that, she was acting like she had a special personality in it, which was better than me anyway. And then I saw everyone acting better than me. It felt good to see the worker today, and he said that Tianjin's words were particularly interesting, and he was a Henan. And then Renate was very good, and I got the impression that Renate's girlfriend was particularly impressed, very much alike, but then I couldn't see it. The main thing is, for the man on the volcano, in the act... the human aspect is normal, which means that it's kind of open, it's kind of... it's like there's no gap. I don't know what else to say. Just once or twice.
"will try to play every role."
F: Are you making money as an actor?
xu: No, it's not about making money, it's about making money and understanding the circle.
cu: Oh, so money is a part of it, is it a part of it?
xu: This is money I haven't been working yet and I'm working more than that. Because I'm going to run from the very beginning, like a group show, a group of people, a vision, a promise, and then get to know the industry, step by step, and then get to the top, and then I'm going to know more people, and I'm going to find someone.
FA: So you're slowly abandoning the programmer...?
xu: Yes, slowly give up and slowly start to move into the circle (with a slight indication of the direction of the stage downstairs).
F: You want to be an actor?
Xu: Actors... I know I'm a bad actor. See later. Actors, if I can do it well, I'll do everything I can to play every part of it, and then it's either behind or writing myself.
FA: Okay. Is there anything you want to ask us? Whatever.
zaoyi: I want to say to Xu Zhu, you can do as you like.
xu: But sometimes I think of myself, and sometimes, first of all, because I don't know what other people think, so I think my thinking may affect this thing, mainly because I'm not confident. And then to the theater, spit it out...
Unexpected, unexpected, unexpected.
xu: When I first came to interview the owner of the tavern, I prepared a line from the owner of the tavern, and then you asked me to be a journalist, a boss, and I couldn't say it. And then the second time I left and dreamt that I was the boss, and then I took the boss's words off my back, and then the director asked me to be a journalist, and that's what I did. And then the third time I came, I was free to do it, not in the script. There are all kinds of funny and ridiculous ideas, and then my sixth act is going to make a video, and then it's going to start. (ALL LAUGHING) What's the date of the week? I did it on Tuesday, and I sent a message the next day after Tuesday, that I was ready to go on stage, and I did it again. (people laughing)
zaoyi: You're so hot.
xu: And then when I came back to rehearsal yesterday, I said, "All of this is the script," and then I didn't know what was going on, and then I was silent. But here, too, the director gave us a lot of opportunities, and she was thinking, in the first place, that the actors would understand the role and perform themselves to make it more specific. Because after I talked to the director, I thought as a writer's idea, that everyone I wrote in the play was in my mind, and that's what this character should be, that's how it should be. But after talking to the director, I realized that I might be filming this show with no bright spots, no unexpected spots. Because this script is going down in your head, and maybe the audience won't know that you're satisfied with it, but it's just plain. It's the director's idea that when the director picks the role, the actor decides what to do with it. If this actor decides to think, to act, to express, there are many things that I didn't expect. Maybe Ta followed my script, but there'll be a lot of things I didn't expect in the show, and it'll become some of the bright spots in the show. And that's what I'm doing, that I'm doing, that I'm doing, that I'm giving the director something, and that's what I want the actor to think, that's, that's, that's, that's, that's, that's, that's, that's, that's, that's, that's, that's, that's, that's, that's, that's, that's, that's, that's, that's, that's, that's, that's, that's, that's, that's, that's, that's, that's, that's, that's, that's, that's, that's, that's, that's, that's, that's, that's, that's, that's, that's, that's, that's, that's, that's, that's, that's, that's, that's, that's, that's, that's, that It's like the first act, the first act, that, um, the girlfriend pushed that, the Liu Doo, and then went, and then he said, "You're gonna get shot in the head," and then, in that scene, Liu was so angry and so sad, and all sorts of emotions, and I said a few words, and then I thought of something that I didn't expect, like, that my girlfriend suddenly turned back and kissed him on the wall. Because it's more unexpected, it's particularly interesting. And then, like the second act or the third act, and then the scene where zaoyi was on the roof, instead of letting us knock on the cane, and when zaoyi said what would happen to your hand, she said to me, and I thought, "Well, that's what I thought at the time, you're going to lose this pole and you're going to hit it again." I'll think of many unexpected things. It's what the audience didn't expect, the actors didn't. And then these performances, these lines, could be classics. So what I used to say as a writer is that I wrote the script in a way that I didn't expect, not just in a way that I expected, but in a way that the audience did. It doesn't make any sense. So when you talk to the director, the idea of the director is to let the actor use his imagination and his own performance, which could give the script more surprises and surprises. But now it's probably, it's probably not working that well, and then it's back on the script. But this, in general, is also an opportunity for us to exercise, to disillusion ourselves with all sorts of opportunities. I think it's a good opportunity.
cu: So the last thing I did was get this chute up.
xu: I'm a man who, in every way, goes to be positive, because whatever happens to me, I'm just a man who used to fall back when I tried to justify myself. Now, I'm always trying to get myself to do this, and then I'm going to finish this and I'm not going to run away. It was a big breakthrough for me to sign up for the theater. So what I'm here for is that I may not be able to perform until the last day of tomorrow, but I'll do my best to do it. But in the process, it is true that I really feel that I have changed so much. Because when I'm in touch with something, besides changing it in the theater, because when I'm in touch with it, I'm going to study, exercise, and change. And this one is, you know, if you don't have a target, you'll probably be in the comfort zone every day, never coming out; if you have a target, you might start working in private where you can't see it. It's just that you find yourself something you like to do, and you're going to be promoted, and you're going to study, on stage, with the help of actors and directors and friends. I don't know what else to say.
FA: I now understand why the director chose you as the newspaper owner.
xu: I think we're the two most normal players in the whole show.
huo: I used to think so, but now I think the bar owner is not a normal person.
Xu: That seems to me the most normal. Ha ha ha. (people laughing)
Passer A.
X
Tiny.
I like it. I like it. I like it. Okay.
(fa = He Fa; tian = Tiny Sky; hua = Zhang Shaohua; cu = Yellow Sky; zaoyi = zaoyi; guo = Guo Huo Da)
Fa: What is it that you feel in your heart since you first came here, two days before the show? Everything inside you can tell us.
tian: I really like it because it costs a lot of money to do it in Beijing, so it's just that it's the thing that really likes it, it's the thing that loves it, it's the people who love it, it's the thing that loves it. The other thing is, this place is great. This place is really good. It's a little theater like this, compared to, compared to, different from that tradition, and it doesn't look like much, much, much, much, much, much, much. It's good. It's good.
F: Where are they?
hua: Tell me the truth.
"I actually wanted to play Lau Doo at first."
Fa: Just say it. Talking about your personal feelings as an actor and participant? Everyone's got ideas, wants to hear your most real voice, not official.
tian: It's right here, it's right here, it's right. Actually, I like it. Because I don't know how to go because of so many things... When I saw the play, the script, I thought it was good, but I didn't think about it, because, because I usually see things, I would, I would, I would think, there would be a picture, there would be a picture, or there would be, "What is it?" But this thing, uh, I don't think about what it is, how it's presented, because when I came here, I didn't think about the end of it, the end of it, the end of it. But one thing is, it's possible, it's just, it's interesting, it's interesting. More specifically, and more importantly, the effect of rehearsing is that it lasts, and it lasts. Yeah. The script is good. That's it. He's got a strong sense of personality, and that's it. This is something that is clearly visible, and it's a particularly strong expression, and it's howling. I'm particularly fond of it, but it's just how it ends up being a problem. If it were anything else, it would be normal, but this, if personal consciousness was too strong, could end up being a problem. So just, anyway, especially good. It's good. It's really good. And after all these days, we're all doing it, and we're doing it, and we're all doing it. Let's basically do our best. This is what everyone can see. The script is fine. Well, you said it on the first day of the day, the day of the dream, because this is one, how to say, because everybody likes to get together, because they like to get together, not because they work together, but because they like it. He was worried, that is to say, if anyone would come, if anyone would come, which is a matter of particular concern to him, but he was particularly moved by the fact that he had come here to see these people. Actually, I was particularly moved to hear him say that, because, uh, because I liked it, because I probably understood how he felt and I liked it. Yeah, well, I-I didn't really feel much at the time, but when I heard him say it, I was moved. I was moved. Because I suddenly feel like I'm doing this to make sense. And at first, it was good, it was good, it was good, it was good, it was good, it was good, and I started out, and I said that if I didn't play Lau, it might be because this time, uh, the biggest cost, and I feel the highest cost, which is -- and I'm also reading it, and I'm reading it, and I'm reading it, and I'm saying, what's the least to waste, is time and space, and this thing must not be wasted, and I didn't feel like I was old, maybe I was old, I was old, I was old, and I felt that it was the same thing with my age. Their algorithm is that they're now using software to give you what you like, and you end up showing, what you see, what you've always liked, so it's going to be a closed loop. But it's not so much a problem, as long as you get what you want, it doesn't matter how, how, how, how. I wanted to play Liu Doo, because I thought it was, and I didn't want to waste time because it didn't mean anything, but then I actually read the script, but that's the thing, and I was sitting there looking at the little girl, and she came down here today, and she's doing a press paper, and she's doing a lot of stuff, because she's a professional and she's doing it, and whatever she's doing, it doesn't matter, no matter what, she really wants to do it as a project, and it's a job resume (part of it) later if she says she's working. When I saw it, I thought, "I don't deserve it. Let someone else do it." But, um, what I think after seeing her, is that professional people... professional things have to be done by professional people, and this professional person, if he really wants to do it, it's good. When I saw her, I thought, "Oh, come on. I'm doing the same thing, but I don't look so good. Forget it, I'm doing the better, the better, the easier, the better.
CA: You don't have to think like that. You've always been fine.
FA: Yeah, do you think you're unprofessional?
# The Howler on the ceiling #
"I love it, I love it on stage."
tian: It's not unprofessional, it's, uh, because I'm a particularly nervous person, and I'm a particularly nervous person, and, no, well, it's not good, uh, it's not good, but, because I said before, I said, it's not gonna be a good time to sell, because if you sell it, it might be, uh, it'll be a bad time for the show, right? It's just in case it's not done, it's a mess; of course, if it's done very well, there's no need to think about it.
cu: Speaking of tickets, you have a free ticket quota.
tian: Oh, I know that. Who said that?
FA: Why did you want to choose the role of an actor?
tian: Oh, it's still because I like it. Like this thing, especially. Like feeling on stage. It actually has something to do with this, which is that I'm a special, particularly nervous person, who's a very small, very shy person, but I'm not going to do it at all. I enjoy the stage, and when I get on stage, I don't feel like that, and I'm shy or anything, and it's special, especially comfortable. It'll be particularly comfortable. If that was the right thing to say at the time, I wouldn't feel so bad about it. It's just that you like it, especially, especially on stage.
cu: What did you do before, IT?
tian: No, it's a profession. It's a profession. Cultural industries, I'm a broker, but it's easy to come out if it's a good school. One thing, the same thing. You come out of a good school and you can do it after graduation. But if you don't get out of a good school, you might try five years to do the same thing that you probably graduated. It's just this thing, uh, and it's more serious, it's just a school, and it's a very serious, um, so it's not done. It's not a good school either.
FA: Actually, when you said I was in an interview, we were watching it, and I personally liked your performance.
tian: I was, uh, trying to play that role, and I thought everybody was so well prepared, and I felt, uh, if I wasn't particularly prepared, it would be less of a respect for the work of others.
♪ There are so many cute little moves ♪
"Maybe I really like a lot of things.
But I'm not going to do it."
FA: Have you found anything interesting these days in your study or in your coming here, or do you dislike something that you hate? On these days, during the theater?
Days: Not so uncomfortable, like, like the theater. On the first day, it's my favorite part, and if it's not, you do something else, and, um, if it's not on stage, you don't go out and say, like, "What's all this shit about making a movie?" It's just that it's really nice to see a dream, and it's really happy to see these people. I'm really happy to see these people. And I particularly like these people. I particularly like these people. I'm still, like, what's going on, and I think that sometimes, I'm a little observant, and I'm really, really, really like these people, and why, I think they're all really interesting. It's kind of off the record because they're, uh... they're really into it, and then they're really into it. Because I'm a, uh, I'm a little, kind of, kind of, kind of, kind of tough guy. Yeah, it's pretty rough, but I'm not gonna do it, but I'm probably not as brave as them, so I really like them. I liked Liu Doo's, Liu Doo's, she said she called, called a guest, called her acting, and so on, and I talked to her, and she did, and she did. Because of this thing, because a lot of things don't everyone knows. Yeah, some things don't everyone knows. You must have had the same experience before you knew it. So when I talked to her, I found out she did. I'm particularly fond of these people, including everyone here. They're doing things. It's fun. I looked at p4, I found out what it was doing, what it was psychologically, and I tried to do it. Attractive to me. This place is very attractive to me.
# The Howler on the ceiling #
"Inappropriate...
If there's a chance, I'll do it."
zaoyi: Can you tell me what you hate? You said too much.
c: Discussion
Fa: Yeah.
hua: Curiosity.
cu: Or whatever else is curious.
tian: All I'm asking is, do this, do this, can you see the money? Ha-ha-ha. Do this project.
fa: Not at present, not at all.
hua: The money is disappearing.
tian: No liquidity, no pathways?
cu: Seeing money changing
hua: Less.
tian: numbers changing
Fa: But believe it, it's that, not to say, it's certainly not for the purpose of making money, but there's no way...
tian: It's what I've heard before, that all the world's cultures are elites, both inside and outside the country, and that all the world's cultures are essentially elites. I want to do this, too, but just say it, but what do you do without the money? So still, there is some reason for an elite culture. It's the simplest thing. There's something to support. There's nothing to support.
cu: What do you want to do that day, a play, or...
tian: I didn't, I didn't want to do a play. (CHUCKLING) Uh-huh, I didn't want to do a play. My idea is, I don't think I'm doing a play right now. If it's a play...
cu: You're envious of dreams, like directors, like the courage of these people, right?
tian: Yeah.
CA: For example, now give you a chance to play a role like Ta. Would you like to?
tian: I must be willing if it's right.
FA: Isn't that right?
tian: It's not right, it's not right if I have this... it's not right if there is, there is, yes, I will, I will do it. I'll choose to do it. If I had the chance, I would have chosen to do it.
"This is life."
FA: So, then, there's another question. Have you ever howled? Or the most impressive howling. Yes.
tian: That's where I'm attracted to, very rarely howling, yes. Actually it's all right to talk about a lot of things that it's, uh, I don't, no, very rarely. This year, this year, I'm the most, uh, year I feel like I've earned all the most. Because I met a lot of, uh, especially, good teachers and directors. Good one. There's a lot to gain. Yeah. Ha ha ha.
Fa: Nervous? Nervous now? Relax?
tian: I'm all right. It's nothing. It's just, it's a little nervous. It's easy to feel it. It's particularly easy to feel it, but it's nervous, but it doesn't matter. Nervous, but it doesn't matter.
Fa: Do you often swear?
tian: Yeah, yeah. I'm, yeah, I'm talking about people like that, swearing.
FA: So you're gonna, like, hate to see so much shit in this script?
tian: I don't hate it. I like it. Because if it's too much it's life. This is life. Yeah, that's not life anymore. This is life. It's life. I like it. Especially.
hua: What do you do now, professional actors?
tian: Yeah, right now.
Fa: Will the play become a life?
tian: I think it's great. It's really great. It's a very good life. I, uh, I didn't understand the script the other day, because, you know, the usual script was that they had a very strong sense of personal consciousness, but he was, like, really flat, meaningless, and I didn't get it.
cu: Which script?
tian: It's not this script, it's them, they're themselves, one of their own. And then I thought, "Don't you want to express yourself? Maybe everyone wrote something different." I think it's good that you don't want to say it. The best is the show of life flow, just like life, watching you do it now, but it did. It's just that life is so good. Particularly natural.
# The Howler on the ceiling #
"Screen"
cu: How many years have you been born?
tian: I'm particularly old. I was 95 years old.
cu: Why is it so big in '95?
hua: 25 years old.
tian: I'm 25 years old, but this year, I don't know why, it's only a few years since I started being conscious, and I've been in a particularly confused state for years. No consciousness. It was only two years before it became apparent that much had been learned and that during that two years it had been felt that the body had changed. Well, it's just that it's really hard to get out of here. I've never felt tired before, and I've been feeling tired this year. I've been sleeping since I got back today, and I've been sleeping for a long time, and I feel pretty tired about this.
C: Why don't you go out there and catch up?
hua: Show
tian: Yeah, yeah, shoot something.
hua: I love this state of the sky.
FA: I love it too.
zaoyi: I'm particularly impressed with you, which is that, on the first day of the interview, you've been watching the stage. It's just someone else's phone skiing or something while they're waiting. Let's go.
tian: Yeah, don't you feel I'm nervous?
zaoyi: Just, you're nervous, you feel nervous, you've been looking at people.
FA: So, anyway, I feel like you're acting differently from someone else. Let it out.
tian: Actually, actors have less access to the stage, less than they think, less than they think, and most people do not. It's, uh, it's a lot harder than having you on that big Internet show, a movie or even a movie. So, the vast majority of actors have no opportunity to go on stage, no opportunity, especially if it's too little. Mostly, I'm talking most, must be most. So it's really nice to be on the stage. Yeah. These tour things are very difficult to face. It's particularly difficult if it's a small theatre. So, again, it's kind of good. But my problem is, I'm used to it, and I'm always leaving my mouth open, and I said I didn't read the script, but I did. But maybe it wasn't as deep as the script, um, so I said I didn't read it, or whatever. It's not a good thing. It's not a good thing.
fa: leave an excuse
zaoyi: Give yourself a barrier
FA: You have a strong desire, but you've covered it up a little.
tian: Oh, right, right, right. And the reason I like these guys is that they're doing this thing in relative terms, it's pure, and if it's not pure, you can't do it. So that's why I really like these people. It is, however they may be, but at least they are especially pure when I see them. Including all my favorite actors, especially the acting staff. Yeah, it's good.
"What's the matter with you? It's all good."
hua: Has the sky ever had a howling experience?
tian: No, so when I saw this
zaoyi: Asked.
FA: I asked.
tian: I was particularly attracted to seeing this, and I wanted to have a very good chance of howling.
hua: Did you scream that day on the tape?
Fa: Screamed.
tian: I did, but...
FA: I'm impressed and you say
tian: But the most impressive thing I remember is that, now...
hua：zaoyi
tian: Yeah.
tian: You're right to be here. This is the right place. I was sitting here and I thought, "This is for you." Ha ha ha ha, this is for you. It's so high.
cu: Any questions?
tian: The most important thing that concerns us is your profitability. I do care. And the other thing is, the other thing is like... well, nothing else.
FA: So you're saying a lot of dirty things about you.
hua: No slots?
tian: Point?
FA: Like you said, always leave an excuse. It's always uncomfortable.
tian: It's nothing, but what's the problem?
zaoyi: Intuitive is enough.
Guo: Yeah.
tian: Spit it out... What the hell, nothing, it's fine. Everything's fine. Nothing to piss about.
Lawyer.
X
Often.
"I'd like to feel deep in the theatre."
(fa = He Fa; Chang = Long distance;hua Zhang Sauhua; cu = Yellow Sky)
Fa: Share your journey from your first day here to the present?
change: Probably the first time he put it on the public domain, and after that, we had a lot of people who felt there was someone who could tell the truth. I didn't think I'd put him on the public. That's it. At first, I came because I didn't really want the stage, but I liked the theatre. It's just that I don't feel much for the stage, but I like the theatre. It's the theater, including the audience, the stage and the rehearsal hall, all of which I think together is.....the theatre, like ours, is an independent little house, which is my favorite environment. Like that big theater, I feel like it's gone. So I'm actually going into this theater, and I'm trying to get a deep sense of the theater environment, because I've always been an audience, I've only been in the audience, most of them in the rehearsal hall, and I haven't been on the stage to feel that part. I just wanted to feel it. I can only say that I'm trying. I thought from the very beginning I had the script the night before I came. And then this script was actually kind of a little off on the next day, but what I'm thinking is, there's a lot of interesting people in this place. I think that's why I came over once. "The sound of actors' rehearsals"
# The Howler on the ceiling #
"Everyone thinks differently about this play."
Fa: Why don't you want to come?
change: I don't think this script has any logic. It's just that I can finish it, I can do it at speed, I can do it very slowly, and I don't know what he's writing about, and I don't know why he wants to express it in this form, and I don't understand it. Maybe I didn't talk to you at that time, and I didn't do anything but stand up for myself. I don't understand.
Fa: Is there a little understanding now, or is there nothing?
change: Better now, now sure, to move it to the stage and add something to it. The director exists to rationalize the script. I think I can try to understand it. And we actually went to our play, four or five people, and everyone thought different about it. As I began to understand the idea... and (including) you all did not. (noding) that's it.
# The Howler on the ceiling #
"The Buddha."
hua: What about howling and sounding, and howling after?
change: Are you saying the kind of shouting that stands on the top of the mountain? What could it express for? I haven't thought about it. I may be living too thin...resistance must be there. Those are the children of the time of rebellion. It's a little hard.
Fa: You should learn to paint, too.
hua: Is it science architecture? Seven years of architecture in England?
Change: No... yes, but British. Construction is seven years. Seven years from undergraduate to graduate.
cu: So you're doing the job now?
change: I'm a student. I'm still a graduate.
rui: Are you in England?
change: No, I'm in Italy now.
rui: Wow.
change: Artist's paradise. Yeah.
rui: Do you speak Italian?
change: No. I speak English.
hua: Do you often get offended or feel uncomfortable?
Change: No. I'm good.
Fa: The long-distance gestures have told us.
Change: Resisting gestures. No, I'm a bystander. If you're not feeling well, just leave me alone.
hua: You're an actor. How can you be a bystander?
Fa: It's possible she's not so deeply involved.
change: Yeah, maybe I don't think I'm that good.
Rui: Very Buddhist.
Change: Buddha. It's too cold.
Qinghua and Longfare (Lawyer)
"Then this is what faith has brought you together."
change: I wonder what brought you together, you team that you've always been together.
FA: Someone left, too.
cu: At first it was Shawa and He Fa, and then every one of them had a story.
change: So this is what faith brings you together.
hua: It's through its own accumulation. It's an absolute belief.
change: Something.
hua: It's a tough place. It's so cold, we don't have a heating.
change: Make yourself so hard. I really feel, sometimes, not necessary. It looks like faith.
Fa: Here I can experience the joy of the uncertainty of life. You're sure about doing a job, and if I'm in a group where the director tells me how to do it, I'm actually a tool, I'm a dead thing, and here, I don't know what's going to happen, and I can't even imagine what's going to happen, and it's going to happen, and it's going to be another trust coming here tomorrow, and I'm going to do this... And then we're gonna do it tomorrow, but maybe we haven't done it all by now, and that's something that makes me more convinced of what that uncertainty would be, it could be bad, it could be great, it could be super great. That thing makes me feel, wow, I really do exist. I'm not going to work nine to five, and I'm doing it every day, and then I'm going to school, and I'm going to do it again and again, and then the homework is always being judged by a teacher, a boss is judging you, and there's no one here to judge you, how you want to act, right? We'll talk together. You can create as often as you like, and then you'll have an audience with a pair of eyes. The gold, she's here, she's happy with the director, she's crying every day, she's crying more, he's crying here in dreams, he's crying in there, he's feeling a lot, he's a subway driver, he's a mechanist, he's a mechanist, he's got it, he's got it, he's got it. That's how strangers collide. How do you know a story like that without coming here?
cu: For one person, I understand that, for one person, you must have a higher sense of happiness than you do for the purpose of doing something, right? But for a group of people, where this new feeling comes from, there's a consensus that we can come together, and we have a contract, because we come together. So, to say the least, there must be a lot of people asking how long you can do this, and whether you can do it or not.
FA: Don't think about the future. It could go down tomorrow.
cu: It's the most sincere way to get along with every stranger I know here.
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