Three interviews in three days.
I haven't seen the script yet.
And super-played meow.
01
Let's start with Daikichi.
"One day I'm going to customize you to a rich god's logo!"
Q: Heart trip?
"At the beginning, I had a formal job, and I saw this opportunity to try. Including schools is not a good school, and I don't think there's a chance. The first time I came here was not very sure. The gold was there, the dream was there, and they were fighting on stage.
When it's official to come, it's when it's bad, and when both sides are busy, they have to choose. I was asked to do a formal job for five months. After almost five minutes of intellectual struggle, he decided to give up over there. There's a feeling there's a different way of life here, including the way people get along. Nor is there any chance of gaining access to the stage in school. Because of his involvement, he learned a lot of professional things, and he learned a lot about people's epidemiology."
"It was difficult to start with the proposal. Feels like all of my thinking is fixed and everybody's creative is better than me. I'm just an ordinary man."
"I heard you throw a shit down there, and I think I'm the only one who likes this. Throw acceptable, cook unacceptable. I'll find it fun."
"That's how I grew up, and it took me years to change, not a year or two or five or six.
The application was submitted the day before yesterday, free to communicate with directors and actors."
Q: Planning for the future?
"The first half of the month, when I joined, was the most confused, and I was thinking about what kind of life I needed. How can I be so bad when I've been scolded every day for my job? Before coming here, there was a pattern of thinking like, "I'm a real piece of shit." All of a sudden life is different and needs a buffer. Life has been busy lately and there is no time to digest what has been learned here. It'll take about half a month."
Q: What about this play?
"First, the script, many actors, including directors, had always thought it was a bad script. I think it's a good script, on the contrary. It's what inspires people to think: why are the howers screaming? Why doesn't everyone talk to him? Why does the story end with howls and everyone killed, without then? I think it's all thought-provoking. Even because of what I've been through, I'm thinking, am I a howler? Am I the one who watches howlers? It's actually a pretty deep thing. It's in a way that everybody's incontrovertible, and it's probably embarrassing for many of the actors in the script to say it. But I don't think it's a good story in itself, and I think it should be done in such a bad way."
Q: Why fear being attacked?
"For too long. Before college, it was a state of criticism. In high school, they learned art, which was a waste of time. It's a habit of me not being involved or watching.
Deer: In fact, you're involved. Maybe you don't have a rhythm, an opportunity."
"I think speaking in front of everyone is a particularly difficult thing."
Q: Shit?
"I think my spat is as poor as Ro. You're so poor, so little things, so little things you can use. It's hard. Let's see what we can do with it. It's hard to dance.
(Intermediate Zhang Sauhua: art does not pick up garbage, then art does.
I particularly think I can't believe you. I thought 80% of what you said was fake, and now 98% is fake. You look at me like I don't have a delivery box! I dreamt of seeing a tree in your eyes. I watched it every day. I didn't see a tree one day!
I'm going to give you some credit for his shit. I'm happy to be the one who hasn't been wiped out. I'm gonna be scolded on the spot."
Q: Problem?
"Because each play recruits a group of people, each group walks away with what belongs to them and the next one is new. But for you this process is lasting. Feel like they'll give you something different. Is there anything special about each group for you? What do you get when each group leaves?"
Deer: I thought you would ask, "Where is continuity?" You asked the contrary. It's not exactly the same thing every time. Unlike the initiators, the manner of recruitment is the same, and you can continue to do so next month. You can continue to participate in a different capacity, and there is no old age. In general, it is possible for participants to have a different experience for two weeks and to remain in recruitment. For the theater, we're making records. The P4U plan is available and there are three P teams. A lot of things actually happened yesterday at the theatre, including communication with the director, interviews with everyone, and if there was no record, it might really be like you said. It's real feedback. If there's no record of this, it's really gone.
He Fa: The miracle is that everyone expresses himself more freely. Everyone can continue to develop freely. That is what we expect and fight for.
The tail of the interview, my lady cried
"One day I'm going to customize you for a rich god's logo!"
Qinghua-Lu B
It's the water that's immersed in living with the fish, not just in the water to watch the fish move."
"The heart travels."
I'm talking about time lines.
This is my second time this year. Because it started out as a photo shoot for me, and there was a whole series of things that were recorded, like recording their own pictures. Actually, I wanted to come to a lot of events in the theater, but I couldn't do it in the theater. It's interesting this time to read the name "The Howlerer on the ceiling." There was a conflict with another play. Both passed, but chose this side. Because I have a lot of contact with traditional drama, and I'm not interested in it, but I want to see what it looks like, how the director rehearses, how the actors participate.
First interview was still tense. It does not matter whether it is professional or not, since the usual interviews are in rehearsals, where several judges sit. There's a lot of people here for the first time. I remember having a lot of roles, feeling like a director's approval, exploring more possibilities. They came for rehearsals after being notified. I came here in the morning, and everyone's on stage doing meditation exercises or something, and I'm a little more ostracized and I don't want to go up there and watch the fire. The first time I came to rehearsal without me, asked what role it was, what role it was, the bar owner, but I didn't think the bar owner was right, and it was still a fire. I wanted to be a little girl, but I said it was settled, okay.
The first rehearsal wasn't very much involved, the second was a chat. Say let me sing, and I thought, "Okay, I'm a brick, where I need to move." Then suddenly I got a call from Gold, saying if I wanted to play or sing. I'm thinking of doing everything. The role of the acetate was subsequently arranged. I've been talking to you about this role being the image of society, and I think it's time to change the word. Gold says it can be a seduction image. It's like every time a director wants something, he says it's improvising, but you can't improvise like that. Now I haven't read the script. I've only seen my part. I haven't seen you all before. We've been in line, and the part that connects is still a big problem."
The feeling of the play.
"It still feels a little messy today. For example, in Act II I said something about design, and the three of us were still not enough, and it was not as close as I wanted."
"I think it's good that everyone has ideas. For example, 11 would say what to add here, and Renate would say whether to add a painter's drawing board to the audience. It may not have been designed earlier, but it will be added when it arrives. A little improvisation is interesting."
"This scene is very different from the previous one. There might have been more experienced actors who could get into the state at once. I'm actually going to be slow. I need someone else to bring it. Of course, professional actors are good. Because we have done little training, and this is not going to happen in two days. Other directors who may have been contacted before would have been clearer, and the gold side would have been more improvised. It's the first time I've been exposed to a myth, and I don't know if that's how it's rehearsed."
About immersion
"In fact, it's immersion, and I don't think it's appropriate to call immersion. It just changed the audience's position, just had some interaction. I don't think it counts as immersion. Of course, immersion is a relatively new form and there is no way to define it."
"I understand the immersion, for example, that former viewers may be watching fish around, but when we get into the water, the water is not the same as the water, and we're living with the fish, not just in the water to see how it moves."
About play and expression
"I watched Meng Gyeong-hui's play, and I wanted to see it first, and then I realized it was all in this form, and that desire...
"I didn't want to do a play. My idea is to act. It's just something that's more technical than that. I'll have a little bit of something to think about. Is it from the point of view of the producer or the director or the writer? I don't have the whole idea."
"It's no big deal. There is no urge to express it specifically."
About howling
"Howling is a source of internal displeasure, but there is no place to vent, and it is an urge to express itself in a desperate manner. You can't go home to your parents when you're working with your colleagues."
"One time, I heard a scream at the reservoir over my house, and it didn't sound that loud, and it hurt."
"My way of venting is either howling or not, or playing mobile phones or something. I don't want this to happen."
About Real Image
"A sister of mine saw it and thought of one more possibility to try."
"Is that really me?"
"I don't even have a lot of friends. The photos are all hidden. The first big picture was there. Not at my house. My family doesn't even have a whole family. This has been mentioned before and has not been achieved. I'm actually afraid of this. This is my dad's 60th birthday. I'd love to film my family. I'm afraid something will happen to him."
Last words.
"I think everybody's fine. Everybody's cute. Everybody's got a character. It's good."
"The first time I came, I was not assigned a role, and I was surprised when I went out. I didn't know you well enough, so I was alone. I didn't know much about the director's rehearsal, and I didn't think it would be a good idea to let the actor play. A lot of people have come to learn something, so improvising really doesn't know how to improvise, but telling is better."
"Many things I can't do on my own, so I understand."
Acorn-Road C
"Don't want attention, you want attention, you know?"
HOME
A heart journey.
"Don't know what it is."
"I'm not like this one. I can't fit it."
"The first two days in the theatre suddenly felt depressed. I was happy at work before, and going to the theater door was depressing."
"Everyone here has their own different considerations, the collision of different views. That's not a good thing. So far, not a single time has anyone been here to walk. Do you think it's still on number two?"
"It is personal to feel depressed. I don't think I can get in."
"And there was a barbecue on Monday because all the characters were set in the script, and we thought we were leaving without us.
Before leaving, I thought it would be nice to be a staff member, even if I didn't play a role.
Later, suddenly.
"I still don't get it. I don't know much about this script either. I think I'm a little trashy. I don't know how to do better."
"The urge to perform is from school. Because I'm a person who doesn't like to act, but I kind of want to stand on the stage and feel like there's a light on me. You don't want attention, you want attention, you know?"
"It's not that you can't communicate, but when you're discussing how to make this show better, I'm listening. Because I can't make any more interesting ideas. I'd rather listen. There's a lot of people I listen to. When there are two people I would say."
"On the business of headhunting: it's been three months, and I can't like it, and I can really learn a lot. For the most part, communication is not excluded."
"It's quite curious. The best part is director. I'd like to ask her about some of her previous experiences."
"All sorts of little things will be fun, fun, events, new friends."
"It's nice to have a guy roasting in the corner, and it's comfortable."
"I feel asked every day to replace it with a set, and then change it again, and last night it went back".
About howling
"No moods were especially full of howls, no shouts. I'd like to scream, but I'd keep it in my heart. Even a roller coaster won't call out that.
It's good to hear the sound of an interview."
During the interview, acorns were listening at many moments, nodding their heads in silence and smiling. For a moment, she looked up and asked a question
"More confused is what the play is talking about.
Do you know what this play is about?"
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