We'll talk in the back of Cocoon.
"This interview is more like a communication. It belongs to you and P4 Theater."
Chan Do
"I love my role as a twat, because I'm with a lot of sophomores, because I've always come up to a professional college, and I've sharpened a lot of my passion for dance, but you can see more passion in the sophomores, and some of their tension is different from the tension you show as a dancer.
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The period is round. It's been spinning.
My previous undergraduate work was dancing in Rome's big scenes, and foreigners didn't know they were filming, and they would join you and jump up. I don't think it's necessary to get the dance so high that it has to be in the theatre, but it's called dancing when one person listens to music and moves, and if a dance has no heart, no soul, it can't be dance. Dancers need feelings.
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Dance needs to break inertia and break restructuring. Your strength comes not from your technology, but from your emotions, the dance theatre acting on stage, and it needs more than full emotion.
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I feel like being a vegetarian makes this play more dynamic, and dancing in the country is just one person, but in fact dancers can be connected to everything, and I'm particularly interested in studying things, and I'm doing things in my head, and I'm particularly fond of the voice of nature, because it's not predictable and very interesting.
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I feel like I'm involved in this thing and I've learned something new, and I've learned a lot of things that I really lack, and what I lack is the ability of my body to express, to speak, to move and want to tell a story with my body. I used to say that I was a soulless dancer, and I lacked a lot of innate things, and I might have to read more, like I've been learning to dance and reading a lot, and if I had raised my heart, I might have gone to express something different."
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Hollen
"This rehearsal is very different from the dance rehearsals I've encountered at school, where the director and the choreographer were at the beginning of the dance, and every time I had to think hard about who I was going to remember my steps, what I was going to do, what I was going to do, and what I was going to do at the school, what I was going to do, and what I was going to do, which was the first way I was going to get in touch, and I was trying to adapt, and it was very fresh.
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I would like to say that it may be something that is not always desired, that it may happen, that it is not to say that I want to stop it, but that I want to see how it can really be accepted from the heart, and that it is to include such things.
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But sometimes I want to embrace something like this, but I still have to keep thinking about why it makes me feel bad, and then I want to express how I really want to accommodate it. It's probably just that I'm upset that I'm not really able to accommodate this, and I'm not happy with myself.
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For example, I've always wanted to care about what others say about me, but sometimes I don't care. But it's hard to see why you can't care.
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At this point last year, a two-person dance was written with undergraduate teachers on the subject of gender relations, but because of the high cost, there was no time at the time, and then there was probably no place to play it, and I thought that maybe the subject was more sensitive in the country, and that maybe everyone would think that it was a very subtle thing, which could lead to some misunderstanding.
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Actually, the idea that I wanted to create a two-person dance was the first thing I heard, except for my teacher, and I might, after all, be a student, and I said that I was going to create a dance, that I wanted to show it, or that it was just an idea, and I thought it was not good enough for you, that you would get a few negatives, or that you would change it, and I thought that there would be a lot of people who would criticize or question me, so I never dared to raise it with anyone, so I'd be happy to know you, and I'd be open to my thoughts, so I'd share my thoughts with you today..."
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Chen Yuntai
"Morely I Yin called me here, said I was short, and I came here for the first time to try this dance style, and for the first time to take part in something so modern, I had less practice, and at the beginning I had less knowledge of Cocoon House, because I was usually in school and now I come out to see it.
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Whether you like it or not, it's better to present it to the audience, which is a sense of responsibility as a dancer.
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I would have learned something like that in a very short period of time, and it's hard for me to keep up with things in school, and, to be honest, the brain is not big enough. It's the first time I've been in contact with this dance theater, and it's the first time I've been doing this dance with a vegan dancer, usually more of a school job.
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I don't care what kind of movement dance is. Just be happy. I'm not good at speech, and I'm better at body expression.
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In cooperation with different people, there's actually a big difference between movement and body, which is kind of a blend.
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I'm fine with P4 Theater, but it's a little slippery, but I can sneak up on it.
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I don't know how to communicate, but I need to communicate. This is a breakthrough for me. I broke through the entrance to the school and told me at 1:00 p.m. I was coming here at 2:00. I'm really sorry on the way, because I don't like to say no, but I've been here for so many days, because if I've been living in my bedroom, that's what it is.
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Zhang Sauhua
"All of the p4U projects here, including all of us, are for at least half of the vegetarians to participate, not just in the dance, but also in the drama, which is an expression of life. We plan such an event to see more and more different people, a variety of people in this space, and the collisions that occur during this time, and then to see everyone growing up here.
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As long as I'm alive, P4 Theater won't turn it off.
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We're a little Italian, and we're all sculptures. We have a sculpture every three steps."
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"The atmosphere of the Mayu Room show."
"The Cocoon Room Video Festival."
P4 Theater Art Project
P4 Theater "Real Image" recruitment programme
Mysterious screening of P4 Theater's Sunday night at 7:00.
p4U recruitment scheme
If you want more stories from behind, move to the public.
P4 Theater and you