"My life begins with "Please look at me" and ends with "Please forget me."

It's a little ambitious

• Not to criticize the "loveful personality", but to dissect the "loved kidnapping" myth

"We always say, "You have to love yourself," but nobody tells you how to love."

• Not to incite, but to provide a mirror

"If the audience can see 1% of itself on Matsuko, the risk is worth it".

The monologue of the unicorn.

How can Matsuko live on stage?

• Memory in the suitcase: a broken suitcase with letters, wigs, stockings, needles and needles from which she was dismissed... The "outside" of every item is a tear to the soul of the pine.

• Exhaustion of the very simple stage: without a complex view, only the light divides the space - the image on the curtain is violent, the telephone bell falls and the siren ends.

Story core

The self-absorption and rebirth of spoiled personality.

"Goodness is the one.

Stab my knife."

Matsuko's whole life is the extreme picture of countless people wanting to be loved

• Recognition of the father's desire to live as a replacement for her sister

• For an error on the part of the student, she stole money to blame for her teacher's career

• A false promise for a lover who takes drugs, takes the blame, ends up in a dump...

This is not a "wrong story", but a mirror that looks at you and me.

Behind creation: the reality and the challenge of self-editing

"The unicorn is the art of solitude, but solitude happens to be the bottom colour of Matsuko."

Mensantha says that the original purpose of the film was to "touch humanity in the most modest way"

• Text grinding: The original novel was large in volume and was adapted to preserve only the monologue and key props of Matsuko, allowing the audience to focus on "why is she heading for destruction".

• Performing experiments: replacement of lines with body language - strangling, crawling and shaking fingers - are the silent cry of pine.

Why do you have to?

Small but deadly: abandoning the business trap and piercing the hearts with the most primitive drama.

Close immersion: The small theatre is designed, the audience is less than three metres away from the pine, and every tear is visible.

It's like a hangover: after the show, the phrase "I've tried to survive" will circulate in your head for three days.

Last words.

"The tragedy of benevolent personality is not to be loved, but to be afraid to love." And if you've done your best for "accepted", the play will give you an excuse to embrace.

On 3 April 2025, he came to the theater to face the pine in his heart.

Time

2025.4.3 18.00

Location

321 space (Beijing City - West City District - Sani Hutam 21)

With regard to ticket purchase

Scan 2-D fee, note name + four after cell phone, recorded on payment Field

68 for the morning bird.

If you have any questions, contact us.

# Little crowd #