It's all our own.

In response to the previous issue of the witch theme, we showed a film by Martin MacDonald. The general story of the film is that on the island of Inisherin in Ireland, old friends are breaking apart because of differences in the values of life and the perception of personal boundaries.

The director carefully placed many of his intentions in the plot: doors and windows are a path to exploration and invasion; bright and beautiful outdoors and dark interiors reveal the division of the world and the state of the individual; priests and groceries, respectively, mean that religion, in the face of a deep crisis of existence, is outdated and weak, and mimicked with the idiosyncratic curiosity and spirit of a closed environment; the British civil war with good friends, beauty and curses, even as in the case of the Garden of Eden, cannot prevent the destruction of an old friendship.

Isn't that another warehouse?

The director's choice of where the story happened was also interesting: If Europe's outer islands are British and Britain's is Ireland, then Ireland's outer islands are Ineshherin, or INISH-Erin. In one of the most isolated islands, such an isolation of close friends means both the fundamental separation between human beings and the impossibility of returning to Eden, and the expression of art as a quest for survival, which, in the end, as in a vulgar day-to-day fashion, escapes the curse and boredom of the banshees. Perhaps some felt that the director had only one hope for leaving her sister on the main island, who had a great sense of understanding and strength, and in boredom and despair, eventually left the closed island to face the world, explore a direct fire, change reality, and open the possibility of breaking the deadlock to the world. Let us not forget that the far-off fire foresaw a more brutal and blind killing each other, and that she was travelling by boat in a world of more cruel and ubiquitous women.

"don't say oh pardrick,say yes."

Martin MacDonald's script always contains two opposing forces. That is, the tragic force created by the world ' s tumultuous, spiritual and existential crisis and how the people in it face that existential crisis. MacDonald, as a playwright in the major "Face-to-Face" wave, continues to discuss the relationship between others and absurdity, which is also born out of the fundamental rift and incomprehensibleness between people. He does not provide the audience with any way out of reality, and he has blocked all visions of the future and has insisted on drawing reality stories from his own objective perspective. "I am absolutely honest about the way I see life and the world, the way I think about human nature." The film, together with serious reflections of public appreciation and cruel despair, was a successful attempt by MacDonald to bring the drama straight to the public.

"No words, no expression of one's feelings, and bitterness, all of which seem never to disappear. I tried to keep myself from doing that, but I still had that character in my heart. I don't know, I hope our community is getting better."

Finally, put it on the pre-release version of the communication clip.

Event: The Inesherin's Revival.

Time: 2023/10/1 (Sunday) 14:00-15:54, followed by joint discussion

Location: Beijing, Beijing, 200 metres from Gate C of the Tunnel Station (notify location after registration)

Tickets: $20

Detailed advice: Magnum