Rainwood and my mother were of similar age, but she was the first person to initiate the project (after the PHA recruitment). She said she wanted to learn to be a different old man and to travel with more people and more young people to explore the way forward. Three years after the outbreak, both her parents and her elders were leaving, and she wanted to get out of the cycle of history, to express her feelings and to transmit love to everyone who had the same will.

When she first met Rainwood, she referred to her experience of having bought a large shed on the outskirts of Beijing, which was subsequently demolished because of complex relationships. With regret and sighs, it was the rest of my life's old-age pension, and I wanted to build a small utopia with my sisters and brothers, to work, to work, to wait together for the joy of a harvest, but not after two years, when a legal contract had become illegal, and to move back to the urban house that had been set aside for the children.

On the second video, Rainwood spoke about the relationship between taxation and people, the cultural differences between East and West, artificial intelligence and the views of the master slave, and her knowledge of history, as well as about the burial at the Beijing Zoo of four martyrs who had assassinated Yuan Shi-Kai, whose tombstones I admired, and her unique insight. Equally lamenting is the change of personnel everywhere, where she has suffered too many incomprehensible situations in over 50 years of her life and has no alternative but to accept tears. (Phone's full record suggests clicking at the end)

Rainwood is about to launch a long-term project to bring together eight creators to compile and write stories of thirty-three ordinary people throughout China for over 2,000 years, from Han Wu to the present. To create together, to think, to re-write, in a fictional way, the relationships between work and life, land and food, people and taxes, children and families.

It's always a micro-right relationship in everyday details, a perspective that I look forward to meeting with you, and that allows us to collide with inspiration and dig together into that wonderful and unspoken thing.

Recruitment

Participants in Out of Daytime

Recruiting eight creators to write with us, to play, to produce an entirely new co-production, and hope that you can build a world that belongs to us, with curiosity and patience, with a group of strangers with the same aspirations, together we can explore the unknown and find the truth of the world.

Specialized and age-bound, they find themselves and light others with a beating heart.

Scanning, consulting.

Thirty-three.

Squeeze reality with fiction.

Yu Yuyuki.

01 Scenario

The 33rd Series began with talk from the Hanwu era. Since then, the 70-year-old von, Zhang and Zheng Zheng Qiang have written about their lives and kept them alive.

Thirty-three persons have been added to the list for more than two thousand and three hundred years, a task that requires co-production. For creators, the word is an opportunity to face up to the self and the world, to eliminate the incomprehensible and appalling discourses of history, and to manage only writing to understand life as if it were our generation.

It is the wish of the Thirty-Three People to paint, in the name of von, Zhang and Zheng Zheng, the lives of 2000-year-old Chinese people, or only today. May God protect them and complete their thoughts.

02 Desperate

Maybe in early February, ChatGPT chat robots became hot spots, saying it can write articles, speeches, Bula no. It can do anything, and it threatens the work of many people. But those who had already experienced science on the Internet said that it would give two opposite answers to sensitive questions, and which one you wanted depended on using a lot of switching.

I think that AI is more efficient than I am, more intelligent than I am, but the "absolute obedience" or "absolute insubordination" that I will not learn may be my advantage. Growing up in grand narratives, for example, I still feel that every ordinary person's experience is history, and tax changes in the history of history are the "grass-and-and-swiss line" that affect every generation, every human being's life trajectory.

Perhaps in the age of Ai, we can't get to know and understand what's going on in the past, and we can use the eight-hands of the Internet, as well as the grotesque, obnoxious, obnoxious and obnoxious nature of our ordinary lives, to complete the triviality of the situation, to make the reality of a time-out.

03 At first sight: providing a balanced perspective

Three years of the epidemic, a lot of people are still complaining. I've seen a little bit of literature, too, and I feel like I'm getting steeper. I've tried to create it myself, and it's hard not to go to the steep side because expression is limited... Although it is a steeper perspective that can find its own logic, a steep perspective is not conducive to puzzling reality and making it better.

Taxes are rarely mentioned in our context. To say that civilization will be more concerned with the uniqueness of the culture of comity, while taxation is as if it were a gift, a shadow of civilization, an imperviousness, an object that needs to be put to the left and to the left, an object that needs to be achieved through various mechanisms of compensation. But Western proverbs can be blunt: taxes and death are the only thing that lives without. Since time immemorial, taxes have tracked and shunned wealth, as cattle chases and dings. It can be said that where there are civilized smokes, there are taxes.

Since Han, China, which has excluded divine power from its power structure, has not changed so much in its concept of State rule, and the lives of ordinary people in the past have been labor, taxation, resistance to natural disasters, and avoidance of war. "Taxation" has always been the flatest line in social life. It is precisely because it is true that, in our context, it has been slow for a long time, with wide scope. It can write, research, film, or entertain itself, or it can be pushed into wider spaces. Anyway, it's small and salty in your hands.

I want to be your friend.

The establishment that the principals of the 33rd House series are ordinary people who are not professional bureaucrats and that 33 people are capable of documenting their lives necessarily results in the majority of the principals being in the mainstream social structure and in a slightly higher social status, for example. Farmers, blacksmiths, monks, talent, merchants, etc., for their creators, are designed to abandon the steepest views and to put the gossip in the person's mouth and not to be decisive for the fictional reality.

But you don't have to be a masked man. I want to be your friend and do something interesting.

05 About myself

I grew up in Qinghai.

I'm nine. I borrowed it from Tianjin...

ubiquitous mechanisms of redress

In the culture of courtesy and decency...

Click on the top picture to see the full 2 hours

Personality.. All records..............