What's the real drama? It's hard to say. It can only be described in words and deeds.
It will appear after the current stage of theatre's death.
Before the next play.
What's next, we can't see, so I just shallowly think that the real drama just needs to be different from the current commercial drama.
And what is a commercial drama, and selling tickets isn't the same as a commercial theatre, so let's call it a commercial theatre with capitalist glossy features.
So what's it all about?
1, List of previous works, education, human resources, and give the audience a sense of what it feels like. Take the lead in visualizing itself, allowing the audience, a group that has been exploited for the right to create, to feel the option at a time when this selection is perhaps better viewed than the commercial theatre on the ground.
Education
Since the "private teaching" began to prevail in the country, education has become a business practice, created specifically for students to go to school, and popular advertisements have told you that improving education is a direct way to change life, and that countless people are running for it, but they find it only the privileged class that changes life, and that the academic qualifications are just the shyness of the privileged class, which could have been taken directly. So make it look better.
When education is linked to business values, new bourgeois elements are cultivated to make money as a philosophy of life.
But corruption in education is not terrible, and when it collapses, it is the natural rule of physical movement.
But there will always be some ridiculous, little bourgeois elements, who are bragging about their masters, who are intoxicated by the title they have taken from abroad by some means, and who are highly educated, even though they have not acquired any knowledge and skills from higher education, nor have they allowed their shallow insight to expand, and who, in general, return to the educational system that goes abroad and participate in the self-production of humans, understand that he will have nothing to say from his education.
They also know that their fists can only wipe out the oil on their bodies.
2 Commodity dramas produce a form of worship.
After the show, the audience applauds ptsd, just like those who cried and sold books in junior high.
Using the applause of the audience is a good reflection of that condition, covering up the real problem.
The situation of theatre today is due to the exploitation of the right to create by the majority. We've all become viewers. Aren't you a professional? Aren't you a celebrity? Don't you have any foreign drama?
And by the way above, the commercial theatre gives the audience awe of it, like the system, to feel you're better than me, and to feel afraid to do it.
This creates a class oppression, with the viewers coming back forever, and the producers of the commercial theatre coming back forever and ever again as the custodians of the system, falling apart from the system itself. It became a state of opposition to material movements.
3 Acclaimed by multiple software.
It's not about the algorithm.
Talk, almost.
True-Drama has taken a step forward in the path of a non-commodity theatre, which can only see where the theatre itself leads us, and we are lonely, drifting along with the waves, unable to control our own destiny and allow the waves to destroy our small boats, but we are standing on the wrecks, with uncertainty and seriousness.
And the commercial theatre, eventually, enters the glamorous exhibition hall, jumps into the glass mask, enters into the eyes of millions of people, and in the hands of them it becomes the desired form of "commodity".
The new play is being recruited.
Kill Declaration.
Recruit.
North wind
We write for 90 percent of people.
We are open to criticism.
And is a judge.
It is not noble.
Against Commercialization
Counter-mainstream.
We are committed to the content of "real, ironic and absurd".
We oppose political propaganda and moral kidnapping.
I hope you're extremely aggressive.