At the invitation of the Center for World Issues
P4 Theater
In Hangzhou.
One month of practical creative activities
And now our sincere invitation to join our Hangzhou friends in this particularly special initiative could be
The creators, founders, lay-offs, self-concerting artists, sub-optimals, self-image fans, civil philosophers, paranoid paranoia, protectors of two-way emotional disorders, scientists, doctors, artificial intelligent voice assistants, faulty hands, transmuters, poets, glass-heart patients, pharmacist water-line workers, voice-scrapers, psycho-cracking magicians, mussys, Earth savers, man-made organ-screws, stomach kings, absolute domain holders, love collectors, steel walkers, platters, virgins, singers, landscapers, dark curatorsors, meat map detectors, giant stuns, pet psychics, scavengers, skin-skinned farmers, memoryless people, men who walk through the chain of cynic irons, mountain scavengers, blackers, plants, dreamers, flats, things that are still burning...
Come on, play together, let's re-establish a temporary community, with a strange moment in our time of emergency, to make it into a dream, to rewrite the past and to influence the future.
Recruitment of players: 100
Location: Hangzhou City Centre for World Issues (WQC)
Time: 7 April to 6 May
Registration advice: Chief of Scanning
In a month of creative practice
Five project sponsors from Beijing will be here.
And the strongest of your life
They are
Shen Borun, a 89-year-old student, graduated from the University of the Media of China in the field of communications and worked in journalism, advertising, etc. Independent creation began in 2013, using people and life as a medium for the production of practical works during the period, which are explored through images, behaviours, theatres, events, etc.
The dawn of the new century was born in Zhejiang Ningbo, where works are often mediated by theatres and words, with a naturalism that is born with it, and with some sort of acrimony that seeks to hide itself.
It is often created in an attempt to display damp and monsoon characteristics, with the intention that the fuzzy self and consciousness will disappear in a naturally occurring field, but it is still attempted.
Curveng, born in 1994, birthday 2 October.
A mouse with a vasectomy is unable to engage in a profession other than theatre and wants to become a poet (not alive) through drama, a social critic, a revolutionary, a sick person and a composer.
As if the play owed him, he demanded nothing from it, but he was not given it. The patient is extremely aggressive.
Kang Hae-joon, 1997-7. Independent dramatists, drama directors, writers, actors, "thematic drama" creators. Born in Zhangdong City, Heilongjiang Province, and now living in Beijing, Zhongyang, currently works mainly on topical theatre.
Self-set theatre routes, with all the artistic means at their disposal, shape the theatre space - connecting the heart, the mind and nature - and then exploring long-standing and intractable suffering.
He Fa, an artist who, in a continuous process of practice, has discovered that the fundamental problem of photo objectivity can be addressed only through a thorough overhaul of the theatre of visual relationships.
Forced to throw life into social practice in such a way as to place itself in a situation of constant contradiction with non-compromise, leading to the full mixing of life and creation, thus enabling the arts to intervene in reality itself and to evolve and affect every aspect of everyday life.
Center for World Issues
the world question center
"Any problem is a world problem, and anywhere is a world and its centre." The Center for World Issues tries to treat everything it touches with this attitude, trying to rethink the color of artists and the relationship between the diversity of forms and participation of art itself in contemporary society. Wait...
P4 Theater
P4 Theater
P4 Theater is committed to building a resilient and tenacious fortress, stuck in the absence of space on a smooth surface belonging to the creators, to connect to each and every subject eager to welcome a newer arrival. We are fully inclusive of any form, content, ideas and concepts in the theatre, which is not a day-to-day field, and encourage ourselves to be exposed, presented and practiced, so that the creation and expression of freedom can re-emerge, thereby replacing the cold viewer who used to suppress the impulses and desires of the heart.
Come on.
Come on.
Get yourself out!