Experimental processes in icebergs
After 21 days of rehearsals and performances, the iceberg entered the death stage, and its birth brought untold suffering, which continued after its death.
Actors have spent 21 days doubting themselves, and we all know what's on the surface, but when we need to dig something under the actor's second personality, we hide, for different reasons, but interesting.
Results of experiments
One or two actors are so mixed that they affect his life that they create elements of a suspected love.
They wonder if they're in love with the character or the actor.
They suspected that hormones had been touched in multiple intimate contact.
They suspected each other of being obsessed with a state of constancy born in a relatively ideal creative environment.
This creative process is as charming as the birth of love.
Because it's messy, listen to instincts, the most real feeling.
This is the part of passion in the midst of adventure, and both of them are extremely committed. It would be valuable to ask whether there was a physical reaction and the answer was yes. Perhaps, at a time when passion is about to get out of control, when the dominant personality is mixed up, they touch a certain existence, not necessarily.
Desires are eroded and action will be hampered.
Who's the first to eat something and desire?
Hard to say.
Some actors are extremely afraid because they are not familiar with each other.
He'll sell himself to determine where he is in the food chain in this group, which is a waste of time. After all, we killed the director, with the aim of freeing the actor, and everyone is involved in creation, without limiting free development.
But when the director dies, they find that what is left of them is one another, and each of them has a winning heart and a performance system that cannot be unified, they need another meat chicken as their firepower target, that is, a writer.
As the iceberg begins, "I think the author is the same man, this guy!" A good writer is also a good writer, with countless debates and experiments that failed.
The reason for this failure is that this anti-director center-made work can only be effective by lowering the gap between the two and losing its tools, the "methods" of performance. Unfortunately, all the actors in the iceberg are professional actors, and they cannot afford to lose the "methods" that they use to make a living.
But it's only when you lose both sides that you can really feel the joy of walking with your bottom skin.
So it was a mistake that contemporary actors were one of the most oppressed groups, and I thought that it would be a huge rebound, perhaps a self-revolution, perhaps a drama revolution, quarrels, anger, withdrawal, weeping, and the birth of new things.
But nothing happened, and everyone lost their elasticity, and it was not springs, but a hard nail, fixed on banners, some in cloth, some in S.
It is in a sequence to assume that the original sense of ritual was born because of something that was touched and the body naturally developed a state, and that the ritual sense was sufficient to allow you to touch the presence of the Drama God.
The way the show was performed, it was done externally, but it was empty inside, like the inner core of capitalism.
You believe in your father, so you won't have children. Performances such as dramas and politics are applicable.
This failure was not good, for example, when you were thinking that next time it would be better, for example, when you pushed all the mistakes on the text.
Conclusions
Escape.
On January 1st, in response to a question from the audience about this unfaithful expression, the author was killed again, the contradiction was pushed to the author, and the death of the writer is still unsolved, and the audience is still questioning.
At this point, it is slowly being excavated below the iceberg, and the filmmaker on the corner of the iceberg is dead, and the producers are watching it like the water of the ice sea.
Actors at this moment, like the man at the end, are naked, red, they're keeping everything that's been seen by the audience, covering their clothes and telling the audience that we're not doing well.
The theme of the iceberg has been pain, not stings and stings, but pains like mild rheumatism. We have lost revolutionaryity, all resistance and power to live in warm water, the ability to create and change ourselves and the bridge to communicate with God.
This suffering is a return to the light before death and a stifling of death that is difficult to honour.
It's a wear-down elasticity, it's a smooth joke.
Are we supposed to be different? That's what we are!
It was the stupidity of the author, the unconsciousness of writing that required a great deal of follow-up and interpretation, but he did not do it, he became narcissistic and ignorant and attempted to force others to understand.
It's just an actor who can't walk without a cane, unable or afraid of wrestling.
It is the self-righteousness of the audience, looking at the critical powers in their hands, because they have never had real or critical power.
This is where the northern wind was meant to be.
The criteria for the judgement of one of the others that already exists are in our minds, and we either embrace or criticize each other, attacking each other against each other, and fighting each other with a fixed objective, and we achieve it in the theatre, let it play and let it happen.
But what about the drama?
The current direction of the northern wind is to put down the psychological realism advocated by Little Boljoa, namely the fine motivation and the dramatic form of character-making. To describe life in the present will be torn apart, to provoke anger, to despise what the vested interests preach, to point to the source of the contradiction, to open up their hearts, to fill them with pain and to fight them with practice until all obstacles to the free development of individuals are removed.
The North Wind's recruitment will be the next theme.
I'm sober after the pain, and I find myself being held hostage.
The experimental method is encouragement.
It's up to you to become a participant or observer.
One month cycle, details click
North wind
We are open to criticism.
And is a judge.
It is not noble.
Against Commercialization
Counter-mainstream.
We are committed to the content of "real, ironic and absurd".
We oppose political propaganda and moral kidnapping.
I hope you're extremely aggressive.