The first movie escape was 12 years ago, when he was 18 years old, had just completed his first year of life, had just begun to enjoy a lazy day without summer work, had just begun to wonder how to start looking for a girlfriend in college, how to start his new life, had just started planning for himself to watch a pirate film downloaded from an electric donkey every day.
To be honest, there was no special impression after reading The Battle Royale, except that the Japanese were sick and Kitano was slanting.
But 12 years later, I looked back and found out that I had never left the world of great escape, and that in this endless cycle of games all my efforts were to feed it, accelerate its upgrading or be washed away, emptied and abandoned as waste.
Cruelness always comes at no cost, and we always find ways to control, forget and suppress it. Upgrading, eating chickens, hymn, elimination, PK, hormonal mixed with dopamine is better, and rules and order will always come back again, without explanation.
As the time line continues to be boring, life is set in a given orbit, held hostage to the usual expectations, and the heavy body is systematically driven to carry out endlessly repeated orders. Run? Run!
The Great Fleeing may be a way out, one that is bound to fail, but it's a high-profile escape line!
Instead of waiting in false light
How about waiting in the shadows?
The theatre gave me such a future.
In college, film was washed in the dark room, film was amplified, light was manipulated, darkness was felt, and the smell of medicine and water was mixed in darkness, and waiting for the birth of the like. The carefully manipulated phantom photons go through layers of plating lenses, and after difficult obstacles and endless twists, a single piece falls on the paper, colliding with small molecules of halogenated silver. It's like generation, and it's the end of light.
The light in the night is true light, and they are no longer ordinary, and they begin to fight for each other, proclaiming their own territory and their territory, and displaying their distinctive colours with a high profile. They are assassins who strike the heart. Don't be afraid, don't compromise, don't be discouraged, come in the dark, and the light can pierce the sky, walk a path that belongs to you, first play all the strange wonders and the bitterness of the heart, but it's always in the dark, and it's the night when it's wearing a rosy mask, it's faded away from a plain cotton robe, it's the proud shoes that will flatten the pit, and the stars will rotate because of me and the mountains will shake for me. This is my most beautiful moment! This is a moment that I'm no longer normal, no more repressing, no more living alone! This is an exciting moment for me! This is the moment I trade for my death, the moment that no one needs to recognize, accept, feel, expect, protect, appreciate, affirm, and the moment that belongs to me! And a time when the morning light will come again, and it will be swallowed up again.
I'm He Fa, who studied photography at the university, and who came into the theatre after graduation and didn't have any interest in traditional drama, and felt that most of them just put teachers' desks on stage. I see the theatre only as an area in which the desire for life can be recreated, and all of my practice revolves around it. Photography and drama are mediums and carriers, and what kind of field can stimulate real visual interaction?
Take action instead of silence!
Let the dream come true!
At the beginning of this year, after having done a great deal of theatre practice, Bourren and I gathered together to begin to collide together to plan a new form of art, to actually act in the fiction of Operation Purple, to rebuild dialogue, to reshape social relations and to reshape organizational patterns in a fictional world. Audiences are no longer cold viewers and receivers, and they need to be deeply involved in entering an interactive theatre that is constantly being generated to allow events to happen, driven by story backgrounds, processes and rules. The aim is to help and encourage every participant to unleash his or her desires, to act courageously and to transform this new world.
Today, Operation Purple has carried out dozens of operations, large and small, and we are constantly planning new programmes and cataloguing old records of operations. At present, Operation Purple has a "resolution" that claims that it is fair and just; a "poaching" that constantly revises the rules to discuss the distribution of benefits and rights; a "parliament" that discusses how to define the number of people in the future; a "sea corner community" with private institutional inequity; a "magic editorial" that complains about "the dead"; and a feeling of organizational darkness to re-establish a " Great Council" of Justice. In short, in a fictional purple game of action, we all revolve around a message about "God" that three quarters of the world's population will be eliminated within 13 years before the world can be preserved. This premise is to discuss and develop.
Today, however, I would like to introduce a new and original cross-border performance by Operation Purple and the Net Red Fighter 24 KiCK, the new organization that will bring us a great performance on 23 October. That evening, this exciting performance will be brought to you by six "fighters" who were carefully trained by Operation Purple's art team, who will then decide, as members of the VIP team, the fate of the fighters. Come on! Choose your best-hearted and most moving fighter!
If you want more information, you can focus on Operation Purple.
Or to scan for "Turkish Small Programs".
"The Purple Small Program."
Wesson.
Buying tickets straight through the code.
24KiCK Official Applet