If the audience finds our tickets expensive, I say it's our ideal value. If the audience thinks our tickets are cheap, I say that our ideals are worth so much. We're like chameleons, realists, idealists, radicals, speculation. Markets push us around, but whatever color, it's theatre.
"Presentally speaking of the dramatic ecology of the moment."
The play has to be done, but the play needs an organization.
Color in front of orange.
We need the following positions
Production Department
Directed by: A left director, a radical guy!
Written (2 minutes): Good at mapping reality.
Two were peer-to-peer supervisors.
Actors (six total)
Males (2 points)
Personal profile: Born in 1998. With Chegwara on his face, he does not know who he is, and in any case wants freedom, so the man stands against all oppression, with a firm life course: a declaration of war on all hypocrisy and injustice (never implemented, only words) and a firmer resolve when he encounters a setback. He spends his days at a forum where he posts tweets, reviews times, uses his own unprofessional views, and suffocates his own self-righteous statements, and in a scolding he sees nothing but approval of his words.
There is a mirror in the house, which is used for self-study purposes and is actually used as a "big self-portrait" to appreciate itself.
There is no room for corruption and injustice in the workplace, and therefore there is constant unemployment.
When he was unable to survive, he went to work at the delivery company downstairs, where he considered it to be an admirer of his passion and thought that the people at the bottom had spoken out.
With his gradual contact with society, he discovered that it was not black or white, but bad or bad, which had left him in a state of confusion and had become, in his view, his weakness by inculcating honest and just kindness from an early age. He began to plan what he called "a great plan to awaken society".
The following is his implementation
1. Tired, angry.
2. Attempts to change others
3. Attempts to gain a sense of identity
4. Trying to believe that you've really changed people
5. Trying to be alone
6. Avoidance
Prototype: Wheat Watcher Hallton
Requirements: Height above 175, thinning, body size requirements are appropriately relaxed, desire to express themselves, and have an opinion on playmaking. The ideal goal of this play is to achieve a debate on the ideas of the community (actors, viewers, authors) that requires the audience of actors to perform with thought, from the point of view of the author ' s creative intentions.
Female heads (2 points)
Profile: High body weight and unknown age. Do what you dare. Use your guns. Pantic. Total realists.
In order to prevent the occurrence of heinous groups, partners were engaged in posing as prostitutes and pimps to identify certain antisocial elements and conduct social investigations. They found some people through radical comments online. Among them, the man who had recently purchased a gun was the first person to investigate.
Request: A height of about 165, independence of thought, proficiency in the second degree of creation of the script, aesthetic examination and physical coordination. Need to be done: bring your thoughts into the performance goal.
Col. 1 (1 minute)
Personal profile: There is no fear of tomorrow, no desire to live in the present.
Request: Good talk, convincing.
Co-worker 2 (1 minute)
Personal profile: I'm not good with relationships but I'm always familiar with people. Smoke guns.
Request: Good talk, convincing.
Boss (1 point): Standard capitalist, exploiter from the male perspective. In an attempt to persuade the male lord, the motto is "Man is never as unfortunate as he thinks".
Request: Good talk, convincing.
Pimp (1): undercover police, admired the hostess. Playtime.
Request: Good talk, convincing.
Announcer (2 minutes): elasticity in numbers.
The above positions can be cross-cutting and multi-hatted.
The issue of returns: We will distribute our income equally on the basis of individual scores.
Information on
China ' s drama, from classical to modern theatre, is in a cycle of decay and revival, essentially because of the distance from the general public. So the drama can't be separated from the crowd, it's lost.
In a sense, the experimental theatre can be a product of personalization, i.e. a personal art hobby of the theatre artist and a physical state of personal art taste. But if the aim is simply to satisfy one ' s own creative impulses, the desire to create is implausible. However, if the aim is to promote the better development of the theatre, and to make it more understandable, acceptable, popular and available to a larger number of people, the experimental dramatists cannot be too "personalized" in their own demographic tastes. Consideration should be given to how to move closer to "publicization". Because drama is, after all, an art belonging to the general public, and its survival and development are, after all, the foundation of the public.
To put an end to all the evils of the theatre as a way of raising itself or branding its own unique taste. We're drama workers, and our purpose is to serve the public and Chinese drama.
It is hoped that gays who are good and willing to criticize and self-critical will join us.
Pay attention to the public call and reply to the job or role name for registration. You can also add a little chat below.
Interview time
17 July 2021
10：00--21：00
18 July 2021
10：00--21：00
Place of interview
1 East Hana Road.