About some monologues.

Actor a2.

I'm a fluid, a gas that changes every second.

performer

Understanding roles

I play the role of a awakener, she's very armed, she's a little bit of agitated, but he's a very determined man, not as obstinate as I am, and she doesn't care about what others say about her, and she scolds them all the time, and that's what you do, but she doesn't care that you're lying about, that's what you're saying. It feels like an ideal trainer. When I interpreted her role, I interpreted her too sharp, too loud, too loud. She's actually one, she's supposed to have a role in the city that can be settled, and I'm not showing it.

Fascination

To attract your role.

I think the most attractive part of me is Minoe, because it feels like a and c are not human, and when I talk to him, there's no room for debate, there's no room for communication, there's no room for communication, there's no way he's dead, "I am, and if you don't agree, you're wrong."

I'm not particularly fond of Mino, either, which means that if I can make friends, I'll be friends with Mino, if I can make friends; then I'm still, I choose him in b and Mino, and he's a simple, realistic man, and then Mino may be more idealist, because I may be an idealist, so I may be friends with Mino, but Mino is a bit undecided and too easy to give up on someone, and I'm thinking that if I were to be friends with him, then he would leave directly for one reason, and I can't accept it, so what I might like is b.

influence

The effect on yourself.

This place brings me a lot more thought about the theatre than I think about the play itself, because I've been trying to make the audience feel comfortable and have the best experience, but it's good, yes, why give the audience a good experience, make him feel bad, get something better, make him feel better, let him want to think, and the shock is better than his.

This place is like a utopian, free to say whatever you want, so many places are like, "You're done, you're done, you're talking so much, you have nothing to say," and here's just saying what you want to say. People think you're right, they think you're right, they're good, everybody can say it, they don't shut you up.

Actor C1.

Proud to protect his invisible narcissists.

performer

Role awareness

On the whole, she is the most innocent, natural person, with a particularly paranoid vision of love and even a willingness to revolution for romanticism. Not just love. She's a pure and committed personality.

C1 is, I call her "C" Blackie. She's got a child-like and dangerous idea, and going to the revolution may be one of her sudden thoughts, but she's got a near-gruesome paranoia about it, and I've included a more insidious element in my performance. The C2 is a gold sister. She's a parent, a protector type, compared to me, and when I'm bullied by a, she's gonna step up, and when B is taught by A, she's gonna be gentle with B, and she's a softer than C1.

love

Understanding love.

I believe that true love that forgets everything exists and that love should not be bound by marriage. But I do not believe that this true love will happen to me, because my character and my past have influenced me by the fact that love at this stage has no meaning for me and I do not need it.

influence

The effect on yourself.

And the good thing is, this plays me with some of my ideas of love, and I used to be so paranoid, and I thought about where, but now I have a clear definition.

And the bad effect is that it makes me feel that love is not a reliable thing, and maybe he's just a human argument in his mind, so there's a lot more critical about the couples around me.

Actor B. Chan Jung-young.

"A bottle of unsettled half a bottle" is in its present state.

performer

Understanding roles

I feel like he's a loser, and he can't take care of either side, as a scoundrel, in a corner, slowly, as if B had become a victim. People

I'd rather play A and C than B, because it's a real problem, and I don't have the means to make a choice. I'm in this situation, my parents are in charge. We've been in line since we were kids. I have to do what I want to do while I'm still young.

story

Love visions and stories

I'm passive in love, and my parents are very aggressive, they'll introduce me, and they'll introduce me later in the year, and I was embarrassed that after a stranger was introduced, they didn't even know what to say.

option

Hard and growing.

From the beginning to the rehearsal, there are now about two weeks, three hours a day, which is actually exhausting, because I came here with a resignation and a class at the school, but the company has not been able to leave, and no one has yet taken their place, so we have to go to school, and the company has to take two hours from this side of the theatre to my home and one hour from school to my home.

In the process, the teacher at school is actually a undergraduate, starting from the foundation of the freshman year, and is now building an attitude to the acting, where what he says can be used in the theatre.

What do you think?

Watching a full-blown show.

Abandon the role and experience me.

What will you become?

P4 Theater

19:30

Surprise event 1: Release body, improvisation

After the official performance, we welcome the body improvizers!

Surprise event 2: Breaking the holidays. Big party.

Enjoy the night party with music, beer and drink, meet new friends; no, you can't, but you can't imagine, lift the roof and open the 5-1 holiday!

(Scanning) Purchase link

Time of performance: 1 May 2021

Place of performance: P4 Theater, Changping District, Beijing

p4, a multimedia laboratory for focused photography, theatre, psychology, a black box theatre "Dreaming into reality". We are here to explore the secrets of the nature of the viewing and look forward to seeing you in the theater.