"

On the spot of the play, BoDY, 101 interviewed several creators who participated in the show, who were actors, directors and visual designers. The person interviewed in this interview was the actor Wu Choon, who through these words showed us his thoughts about the play and his relationship to his life.

Why did you want to play this? After all, it's a non-profit play, with little income.

To be honest, it's because of CC and Seo Jinjiang.

The first time I met CC was in 510, I didn't know him. Remember, it was a rehearsal for "Pofilia," and the whole group was in a situation where it was impossible for me to see the C.C.C. just said, "Maybe you have to give him some action." For the first time in a place where people love to be in shape and to be in school, and want to be with someone else, when someone honestly said something that I could easily understand, I felt, "Oh, saved!"

The second time was when CC came here for his show, and this time Seo Jinjiang came. I was an actor in Pofilia, a bystander in the corner. I was late the other day, and when I came in to see Seo Jinjiang, who was helping the play, I suddenly found light in his eyes! In this time of despair and tired society, it is rare, after all, to see a young man with light in his eyes, the last time I saw him in college (mostly in our theatre), and the last time I was praised for light in 2017, I almost forgot what he looked like. What kind of experience and ingenuity can he see in his eyes? I was deeply curious.

Then I saw the CC sitting in the middle. The last time I saw him was not feeling too much because the blues were diluted at night. This time, in the afternoon of the sun and the sun, his depression and sorrow were magnified. It's like a long winter night in Canterbury, which makes people feel soft and suffocated. His eyes are blind, devouring all warmth and light. He must be a man with a story (though nothing has ever been dug) or a man who has been alone for a long time in a silent desert. I nahan on his mystery.

"It must be a great experience to be friends with them!" So I put their faith in it at the end of the day.

Later, I was exiled from the Pofilia group in a near pottery banishment. I didn't know if I was tired or disproved. I slept early. Soon after, CC came to ask me if I wanted to play his play, and I was so moved that after all, no one wanted to choose a scrap. I told CC I had to work during the day, and it took a while to get there. Some of the problems before the group were heard at that time, and although they wanted to be friends with them, if they could not complete their work, they would have waited for a better time.

Looks like we're really lucky. Soon after, CC found me again, and the crew did die. This time, I was filled with determination, and on the third day of the key, "I'm coming to save you," I appeared in this little living room in New Village.

This time, I can finally meet them.

This time, I finally proved myself again.

Have you changed your mind since joining the show? Tell me about your heart's journey.

It's true that you asked me that question last week and I didn't know how to answer it. There has been a change, and it has been quite significant.

At first, most of the time was tense. It comes out of my slow heat, from the new environment, from the new encounters, from the new encounters, from which I've been a little overwhelmed. In the play, it's mostly the feeling that I have to have something and that I don't have any special Get to CC. The sense of text and role is always erratic, as if countless pieces could not be assembled. The less I get the part, the less I feel, the less I feel, the less I feel about CC and Siri, and the more I feel guilty and helpless, the more I feel a little bit of collapse.

It's a lot better back there, and you guys are really good, you know, and you've been feeling so much better lately. Friends of last week ' s 510 gave some advice, and I was increasingly able to see my role and capture some feelings, and the whole person was relaxed and confident and happy. Lately, I'd like to come to rehearsal, like a little prince, at seven o'clock, and then at four p.m. I'll be looking forward to it.

What do you think of your role?

This role is full of loneliness. I always felt that two people were more alone than one. In fact, my role has the blessing of the God of happiness, and one person has appeared in his life, which in itself can in part alleviate his anxiety and boredom. But my role was helpless and incompetent in the face of intimacy, which turned his antidote into the most deadly poison. So, at 3:00 a.m. on the night of the night, I could see clearly that he was in an empty room and lost his grip. When the crisis comes, there is no alternative to the incompetence of rage, and he tries to sleep in a hot bed full of thorns by turning a blind eye and deafness. He wanted to love, but he wouldn't. He wanted to hate, but he didn't dare. The whole human being, like an internal furnace in which a nuclear fission occurs, erupts when it reacts to the tipping point and then reacts internally further.

When the whole person first sees it, he thinks he is a middle-aged person, or he has lost the ability to love and is not sensitive to love. He was looking at himself in the cloak of love and hate, and the whole man was numb, so at first he felt a little distant from me. But then, inspired by Mr. Liang, I found this helplessness, numbness and self-centres, but when I was young, there was no need to predetermine such a distant image, and I could awaken him from my weakness and incompetence.

What stage/state do you think you're in, in terms of your entire (possibly) life span? What's the most worrying thing about you? Would it help to solve this problem by participating in the creation of this play?

This should be the most comfortable phase of my life. It's like climbing a mountain or on a field trip to an empty flat ground, and it's less anxious. Some time after graduation, there was anxiety. It's hard for me to think of acting as a profession because I try to starve to death. However, it is difficult to spare time for other tasks, and it is too late to get used to it and get stuck in it. But it's hard to work, because I know what I like and what I don't like, and it's hard to lose what I want because of bread. So it's time and again, between acting and work, it's time and again, it's time that I couldn't act. A balance had been found in the past six months, a relatively free job had been found and time had also begun to be released for serious acting. When I graduated before, I had to have three flags a year. Last year, the flag was so thin, it should be a steady year. From this perspective, the original set of the play did help me a lot, after all, to say the least, it was a work that was worthy of itself and the audience. And it's right to realize that I've been on my way to my dream. There was no anxiety in the rest, and there was a point where there might have been occasional confusion among individuals, and the rehearsal was a collective activity that could effectively drive loneliness. But it's been a good six months, so it's not working. Oh, yes, I've always felt bad about my life, being in a state of agitation. If life is a role-playing game, then I have to wait for some setup to go on, and, at the same time, much of what I want to experience in the past has not materialized in life, so drama is like a meditation pot of memory and experience, which allows me to escape and satisfy my illusions for a while. But these six months, too, feel that my life is in a state of stability and that there is no need to reach a certain state, and that I can live very, very well in the present. So, to sum up, I don't have anything to worry about at the moment, and I don't want anything to be done with this drama. And that's exactly what I'm going to do when I don't have the value of theatre, and I'm going to enjoy it, so it's important.

What are you gonna do after this show?

Yes. The Olympian Theatre Festival is about to begin, and some friends asked me to perform, and after the show they might talk and take a look at it, and maybe join some other non-professional group. Then there will be a new job, better to combine bread with dreams. And then I'm a man who hates autumn and winter, and I feel so bad about it, and I'm very emo every winter, and I look forward to summer, so that I can't always enjoy it, and it's easy to get it, and it's harder to catch it. This year we want to experience what only winter can do.

Interviewee: Wu Zhu, an actor in Boy

END

"Showing information."

▼

《BODY》

2022.09.09

Beijing Xian-101 mobile space

The three rings in Beijing, the details of which are to be communicated.

Written/director: Cao Kensong Zhui Mei/Sight: Gao Peng Fei Zheng Campaigning Votes: Seo Jin Jiang Zhen actor An Xhui, Wu Xuan

Scanning tickets.

Prior periods