"I just thought today, it's over. Do you understand?"
Monroe is a very talkative person who loves helping others.
He has so many unique howls and so many unique stories.
The interview was on Monday after the show.
The interview itself was also an interesting story.
Before the interview.
Monroe: I think today is like before the show. Before the show, he was so mean, he didn't even know how to get here.
He Fa: Does Monk think it's the other way around, the last day of the interview, the first day.
Mong-Long: Yes, it's over after the show!
Q: What's your first day at the theater door? Can you tell us about your journey?
Monroe: The first day was because I came in a state I've seen. Because I've seen the theater, the actors, the directors, in my experience, but it's none of my business. What does this have to do with me? I didn't think it had anything to do with me. I'll do it, I'll do it. I don't think about how the role is shaped, how to understand the script. Because we've seen these before. Then I'll relax. And I don't think about anything after the show. I'm a muscle memory, and I'm completely blank. A friend of mine told me it was too much. Ten times more than anyone can control.
Deer: What does that mean?
Monroe: "pia"! It's especially exaggerated. It's just a lie. It's the kind of dog who doesn't bite and doesn't bite. My friend just said, "Don't do this, go play!" Suddenly a friend said you'd come here, and as soon as I saw it, there was a fucking theater! It was the process. It took me a long time to finish, and today I wonder what the point of my coming here is to look back.
Deer: What status?
Monroe: Actors are not simple. He's not what you think. First of all, the whole environment is good, and there are no other demands. And then I figured out what was going on, and the director didn't ask for it. My role is an independent one, and he's nothing but a scene. I'm a person, right? And there's no major in the play, and there's a line down, because this thing, this line starts. Zoo, Zi, Zi, Zi, Zi, Zi, Zi, Zi, Zi, Zi, Zi, Zi, Zi. So, for the first time I forgot the first time I saw your whole video, I forgot, "Kuta" was white! Holy shit! And then I thought, "What if I forget my words when I'm acting?" I've been through this! I've been so happy! I've never thought about it since I forgot. It's not right. Because if you forget the words, what's next? But it's not a storyline, he's a scene. So I forgot, hey, I'm so happy! But it's a big taboo, according to normal so-called real story. Because you'll think, "Oh, I don't want to forget the words, so you won't get it." I don't think it's professional or non-professional, it's you. Yeah, fuck. Am I an actor? He'll question the profession. You have a technique, your ability to back your lines, how you look at the camera, how you walk with people. It's an experience, and I don't think it matters to the so-called professional lay. You'll know when you're doing a little theater community theater, and you'll do it 10 times and 20 times. But I've never been through this before, and I'm curious, but I didn't think I was really tired of it. The whole environment is heavy. Because I don't have time for high-density rehearsals, and it's too brain-consuming, because we don't know what to do. And I didn't see the man on my scene. I watched you walk down there, passing by a day or two, and I felt like it was too hard to do in the back. If you don't have the force, it's really hard to wait. You don't know what you're doing. This is my first experience. And then I forgot the words on the video. Look at this camera. ````` ` ` ` I feel particularly good when I feel no guilt. ' It's probably because I'm old and I've been through this, and I'm feeling pretty good, and if I don't get through it, fuck it! I've been able to figure this out since. Because I don't know the line between you and me, but you know me well, we're friends, we're real people. That's what I don't know. It's my personal emotional problem.
Deer: Friends or vegetarians?
Mong: It's just that we're close, you know, and I know you, but we know each other through acting. I don't know if this is the part of the show or Monroe. It's the relationship between yourself and the role, between the P4 and the founder. I see you as a friend, I see you in a show or something. I wouldn't talk to you if you didn't. I'm probably just not getting in touch with them, I don't know. I think, like, I'm a friend of Kwok's, and we know each other, and I think it's great. I think it's, uh, kind of unforgivable. I just thought today, it's over. You know?
Q: Do you think the process is happy or long?
Mong-hoon: Fuck! It's so cool, you know? You do something you don't know what to expect. You don't know what it's all about. You don't want anything, you go in. I love it when you let me do it! You can't do anything because of the epidemic for a year! I'm back in the game! I can do it again! I'm so happy because I think work and work is a happy thing. Someone may feel tired moving tables and chairs! You're so happy! Because you're helping others, I feel so happy about this!
Zhang Shaohua: In this process, I have observed that you are particularly willing to help others and that this help is particularly quick. I went there that day to get all those wires, to plug them in, and then I hit the flashlight, and then I passed it. Especially fast. Is that how you used to be?
Because I'm highly qualified in hotel service and management, the first class is customer demand, psychological demand. That's what I see. Because my parents are good people, they sell. My uncle's cooking. In Beijing, I'm doing my job. I have some personal group experience, so I know that actors are really easy to do because of that experience. What I like is that I'm an individual outside the actor, and I'm willing to be involved in all the creations, and I don't mind you. I know I'm bad, but I'm willing to do it. It has nothing to do with my age. I don't want to be old. Because I think it's the happiest thing to do, it's the state. So I love helping people.
Monroe's understanding of the movie.
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I started collecting VCDs in the first half of the first year. My first VCD is called "Cara is a dog," and that's my first VCD. I bought all my pocket money for the tapes, the VCDs and the CDs.
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My friends play games, but I don't understand. I don't understand. But I see it in the movies, and I think it's too cocky to fuck! For me in my life, I look at everyone at work, at the scene, at the movies, at the movies, at the reality, at the opposite. Didn't you just say that I'm not tired after I'm done? I'm like that.
So life is a scene, and watching a movie gives you a sense of continuity?
Yes!
That's why you started buying a lot of VCDs?
Yeah, I did. I bought a VCD. I didn't think I'd see anything. Because I'm a graduate student, I just flyers. I feel like I'm a sort of fate. I'm a machine that I'm supposed to be. I don't ask or ask for anything. I live and live. I'm a little uninvolved, a state with no major desires. It's not want, it's want, it's money, but it's not strong, it's life. Not noble. Some people are like me. Look at me that day, I came straight up and I did it. I don't think, fuck, I'm an actor. I have to go back and do this. Because I like it here, you shake my hand, and I think I like it here. I need that attitude. I don't need you and me. I think it's important for that point.
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"I think it's a good state to laugh, and they say, "Are you sick, son?"
About
"Sick"
"Because I think it's normal to listen to hippop." But I'm going to hold them. People do. Why? I'm at this point. I'm not saying how good I am, I think it's a polite opening. But when you turned me down, I didn't know how to talk to you. Do you understand? If you don't shake my hand, then I'm still in trouble, and I'll put myself in a lookout. But if you accept me, I'll drive. There's no more ideas.
It was in 1920 that I came into contact with some psychological articles, and it was only in 1920 that I knew that something was different from normal logic. It absorbs itself and transforms itself. It does not need outside stimulation. It eats itself. That's why the art of photography is what I'm pulling, not what I'm showing my aesthetic and taste through a dress, a watch, a shoe. There's outside abstraction, like buying a bag. I wonder what the brand behind this bag means, it's from the first pack, why the fuck it's expensive now. Like why the GUCCI was expensive, he had a history, and I liked this thing. Yeah. So that day you asked me why you didn't open it and I said I was a bystander. But you asked me the next day, oh, I get it. So you'll think I'm nervous. I'm particularly nervous, and I'm shy, but I'm good and I can't be seen, and I think, "Are you shy?" But I'm shy! There's only one way to say it. That's why everybody likes clowns so much, he's innocent to the community, but society says "fuck you! fuck you!" and you shut up. It was America's Great Depression. So I was born with this character, and I don't think I have a problem. I think it's probably my mood. The old Chinese word is that the kid is not eating meat."
HOME
Mong: Actually, I think the moment I got the script, I thought it was a piece of shit. That piece of shit was the lead. I think that shit's awesome! We're in it, "This shit looks great," and the police are all good. In fact, I think, today, this society, mobile phones or digital bundles, It's fast, it's weak, like I order takeout, and I can't enjoy cooking. I'm going to buy food and have sex with people, "Hey, give me a dollar or two!" But because of the differences in the occupational division of society, you have to do one through this fast docking, maybe you in China and you in the United States, this connection point. It's fast. But for me, I think that failure made me realize a human condition. And then howling is actually what I think is, not an emotional outburst, the right expression. I feel so quiet in China. It's too flat. You can't this can't this can't. I'm not talking about rules, I'm being flat. In my personal view, Ping is the front end without creativity. No chaos, no order, I don't think it's flat. Order is in this case, you have a breakthrough. This is a collision. Howler means that to me. I think that shit in the script is the lead. Dreaming of shit and dreaming of flies is a sign of prosperity. Shit is created, wealth equals. There's a bunch of yak shit in Tibet, which means you're rich. It's no use driving a car, you're full of shit, you're rich! I think this is what I'm gonna think about from this piece of shit.
"Do you usually howl?" Any special story?
Mong-hoon: Yes, I was 21 years old and howling at the South Lake Park. Because then I didn't understand the pressure. I don't understand why. I remember being 21 or 22 years old, and I used to cry "Fuck you!" and every morning, I didn't understand why. I don't understand why Beijing was so quick to build it. Liangs has been planning for so many years. It's very good. Why do you have to do it again? Because I don't know about economic development and I don't know about it, I feel like a common man. I don't understand why we're all panicking. I may understand now, but let me give you an example, you may have a runaway from Beijing, coming from a second-line city or a small place, but I was born in Beijing, and I didn't feel like a runaway, that's our home, Ton', our village. But all of a sudden, I don't deny that it constitutes some change, and I wonder why you can't admit you came to Beijing. So, that's when you didn't have that much thought, you know? I remember it was about 20 or 21 years old, right there. So I understand that the state of howl is too calm, it doesn't have a shock.
Howling alone? To the air?
Monroe: Park, no one.
What time, morning or night?
Monroe: Usually after dinner. It's 7 or 8 o'clock. I saw nobody running into the park. That park is so big, you know. That was a very happy time. To be honest, you haven't adapted to the concept of society. Yeah.
What about the dream of being a Beijing child?
01
He's kind of like me, including the economy and the way of thinking. I'd say he's cool with me. His text is good.
What about Beijing?
02
Personally, I think it's a capital, with good resources and good platforms. But I don't think it's very nice of the Tuen Ri here. You're comfortable here without expression. You have everything. It's functional. But what does this city bring to the creator? How does he want to create it? But you found that you can't publish an article, you can't make a music, you're a pain. Isn't this a cultural center? If you're denied for a long time, you'll be embarrassed. On that level, I can understand the state of dreams, and I can't talk about machines. Still, life is so peaceful. I'm going to livehouse and I'm going to that, but it's not giving you a correct expression, it's digesting, you see fast hands or something is digesting. But now I don't think so. Now I think so, because I don't feel like this in Beijing, but you see what you have you don't see who you don't, or you don't see who you don't know, you don't know. To be honest, you didn't satisfy your desires.
It is terrible why people say that cultural cities are colorful and that they don't like the word calm, that he doesn't respond. Because you don't have chains, you don't suffer. A Mercedes for thousands of dollars abroad. Three hundred thousand in China. You don't realize that. Because there's no money, the country's poor. Why are they thousands of dollars for America? So that's worth 300 grand.
How do you see the dream of Beijing with yourself?
03
So I'm dreaming about the kind of shit I did to Beijing when I was 17 to 22 because you're illiterate. You don't systematically understand the so-called Beijing culture. Long-term planning, including political orientation, is the kind of anger you do not understand. I think he's pretty cool. When he was so young, he had a book out so fast.
So he's flat?
I think he's talking to himself, and I don't care what people think of me. He took a mirror himself, I think. He doesn't care what people do. But his pain is, why do you think I'm sick? Why do you think I'm not normal? Could be on this side. I talked to him about bringing joy to others. A lot of people don't want to face the essence of life, just do things. Maybe he's got a real me and a Ben, two states, psychology. He probably took me out a lot in this book. That's my point.
Q: The idea of rehearsal?
I feel like watching TV, movies. It's a screen. You're doing your job, and it's over. It's like watching a movie. On your first day, it was like a zoom-up movie, and I'd say, "Don't shoot me, don't look, like that."
But you're in the movie too.
Yeah, that's what's behind it. It doesn't feel like it's getting too strong. I don't drink anymore! I watch people drink. I'm sorry about that.
[At one time, the northern brothers were drinking Southern wine, and at first it felt like something, and in 20 minutes, he didn't know the difference. It was not white. I've had two drinks. I can't. I've been up all night. Other Organiser
I'd like to say that you're asking me about this state of affairs, that I'm particularly right about myself, and I don't know how much of this excitement is. But one time it was stinging. You know, one time I was playing with the director and calling me a robot. Because my mother and I were talking about it. Mom didn't feel like a robot. Maybe after I know these psychological terms, I analyze my state. I'm like a kid myself. I'll give you my example of a four-hour kick at noon. And then the playground runs, and he's happy, and nobody's playing with me. I'm not alone. I don't know. I don't know why I'm having fun with myself. I'd love to have a partner watching me, probably between the ages of 16 and 19. No one's watching you here, no one's watching you here, and I don't know what I'm doing. 'Cause the outside world thinks you're happy, the family thinks you're happy, nobody's watching you here. So this show, it's not the Howler, it's watching you. We're watching you here, what you think, you tell us that we're here to help you make it happen. This is the moment you shook my hand, like the painting. Oh, I get it. You're helping us, you're helping me. It's about my childhood. Because I was rejected from my childhood, from elementary school to high school, and all my teachers asked me to check on IQ. "You're not normal. You must have a really low IQ."
You sure have an IQ.
Yeah, I didn't fucking know until I was 25.
About your own way of thinking.
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I'm serious. I'm a great literary bat, but I'm a bad math guy. I don't understand the distance from A to B, so you have to tell me how long A to B is before I know where A to B is. What are you telling me about driving a fucking car or walking? Why the fuck are you so busy? You can't just walk A to B, so why don't you ride? I don't know where A-B is, just like I met you. I don't know who you are. Why am I here? Oh, you're one of the sponsors, you're in charge of photography, you're in charge of publicity, oh, I know! That's what I've been doing since I was a kid. I haven't changed. It's just that when I was little, I didn't know how to express it, and I'm gonna force it now. It's gonna be hard to get to 32 because you're gonna say it.
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My dream is in reality, and it's all over, and it's all over, and I don't have a résumé or anything on the street. Not a penny but a fucking dream came true!
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What difference does it make when you perform in this theater?
I think it's a pretty different moment. It's just a loss. It's over. It's the same thing when I get up in a car, and I get up in a car, and I usually have fun with myself.
That means you're still living like a movie while you're an actor.
Yeah.
Not a real thing.
Yeah. I'm serving you. I'm serving you. Maybe there's some sort of emotional anomaly. I think it's not normal. But this anomaly is not evil. Normal is a problem, right? You're normal, you don't have more expression. Open it! Open it! I'll see you today, too! I'm not nervous. They always think I'm acting. Brother, didn't you react? You're in your 30s and you're not stable? Shit! Reaction! Steady! Is this a different treatment? Like you just asked me, what's the difference? Then get in the door and get out. But I feel that now, yo, it's over. It's over, too. I just talked to the deer. It's over, but I wanted to have sex with you. I'm curious about you guys now. I'm curious about you guys. Not interested in P4, not interested in the theater, but interested in the individual. I think I harvested this. I'm not playing a role, pop! It's just that I found that role through the P-4 channel, and I don't care, but I'm curious about every individual here, including actors. Because it's a matter of acting, but not an individual. He's talking about the drama itself, not the actor itself. Yeah, probably. So I'm not resisting to open it, you're not giving me your own personal expression. Or I'll open it in my dreams! The first time we met, you were sick! Yes, I was sick! I was right! Because he thought I was sick! I knew I was sick!
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(The other day, I thought you had a very good idea. You said you wanted to shoot our rehearsal with a camera.
First of all, I'm not going to divulge it. I'm going to ask the director first. That's respect. And the law doesn't matter at all. Because I've been thinking about it for years. Because I don't have a place. Because I always do things wrong. I'm an actor here. People think you're in charge of everything. But I've always wondered why I'm here. There's so many actors. Why am I a musician? Why do you approve my show? So I did the opposite. I need to know why. I don't come back from nowhere. I have to recognize myself. It doesn't matter what they say.
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The story of Monroe and the Sick.
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What was the first time you and I met?
I'll do it for you. I'll walk over there. Then I said, 'To me is sick! It scares people away, and you're bipolar, and you're bipolar. Then you go downstairs.' I think we're eating, Vincent. What are you eating? Then he said, "Phot, Vincent, good." Then he was happy! And I said to you, "I suddenly thought of a word, and I said, "The three of us are like sick friends, and then we're having fun, and I, hininhinnin, dream, ha ha ha ha!" And the waiter ran away. I can imagine the stage. There's a light down. Three sick people in the restaurant! Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah.
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How do you know Vincent?
Just fucking finished, Tweedy! One time we went to see a blow-up artist, one time we went in the wrong way, a bunch of artists, a lot of people blew up. Vincent sat next to me and said hi. I said hi. He's slow. And then he said there was a rich generation, and I said I knew, and I saw the watch. Why do I like him because he made a book called "The Cloud Blast" and now he's buying over 100 copies of it in the shop? There was no culture in Beijing in the last few years, man! Can't afford it, can't afford it. He's very good! Lucky he's sitting next to me.
So Vincent sent you to the show?
Yeah. He said to act, I said no, to watch the show, huh. And then a few days later, you're gonna have to play the part, okay?
Did he just let you play?
Well, he said he'd come to the interview, and I said, "Well, some friends asked me what I had to do." I said I never had my problem. I don't understand why I'm angry without you. It's not my fault I'm not fit for this part. I'm leaving. I don't eat on this. Even if I eat with this, I know I've never been fit for it. I'm glad I found out about a P4 Theater, and I'm happy to see the show, even after that. It doesn't matter if I'm here. I'm a good actor. No one knows who I am. I've known this since I was a kid, and I think I'm happy to be involved in one thing. So I can open it. Thanks for shaking hands. I'm a man who can read the details. The others don't look at the details. You're good in detail, no problem. I actually know what's honest and what's honest. But I don't have to tear people apart. It's not easy for everyone to eat. But I speak too straight to hurt others, and I control myself now.
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Monroe and Tibet.
I went to Tibet when I was 26. I really appreciate my trip to Tibet. I didn't leave Beijing, but I went to Tibet. That was a particularly big baptism for my life.
I wanted to kill myself. It's not depression. It's when you feel like you have no direction. Don't look at me. You're in your 20s and you're hoping you won't look at me. I didn't know that. I didn't know what I was doing to the outside world. It was a kind of self-help at the time. Maybe it was in my heart. I saw the black and white TV ad, "Bazar." I'll go to Tibet.
I told my mom I wanted to go to Tibet. Got a bag or something. And then the stupid fuck took a six-hour cab at the door and didn't hit him until he thought he'd have to take the train. I want a ride to Tibet. My mother also asked me why I came back. I said I was in a cab for six hours and nobody pulled me. My mother told you to buy a train ticket! The relationship was so tense, the train ticket from a friend passed.
When I got off the train and blew the instrument, I sent Mom the phone, "Mother, I love you." I'm in Tibet. I think I'm home. The old Tibetan hugged me and saw me hugging me. Crying in Beijing, they say, "I'm a fool, I'm a jerk." The relationship between people is too tight for these things. I don't think that's right. What difference does it make? Why don't you buy a house for a girl? They don't use cars, they have wings to fly. What is that guy? I don't mean sad, not pessimism. I just don't understand, and nobody told me. I don't know Tolstoy, and I don't know the fucking philosophers. I knew the philosophers. I'm not so fucking upset. I'm not going anywhere. I don't mean anything to play with. It doesn't make sense. I can sit in the West Sea all day. And the Mercedes said, "Turn it down and fuck it." And the Benz is a rent anyway. That makes me particularly happy. Let me carry a bag and show me the city I have nothing to do with it, so I don't think it'll start. Right, this is what the city means to me.
Lassard is a city that makes me particularly happy. I didn't go anywhere for seven days. It's an honor to meet a big brother, a serial player. There's that early tea, they drink beer when they have early tea, and they drink and drive. And then I was so confident that I didn't understand anything. I'm glad I'm happy. Hey, man, I'll make you tea! I don't know anyone. That tea's too cheap for $4 a barrel. I said drink, drink, drink! Then a young man shoots me. Hey! Zahidler! I don't understand. He hugged me and wouldn't let me go. Then he went out, and I stayed, and I was afraid. Then five minutes later, he brought me a 40-year-old brother to translate. Hey, big brother! Have some tea! I don't understand. And then he gave me a line and told me, Zahidler! He said it was a gift from my mother and I wanted to give it to you. Then the big brother wondered about smoking and said, "Monglong." I said, "What's up?" He said, "I've been in Tibet for over a decade and I've been dreaming about this. I didn't do it. I still have the string. It's a precious gift. He said, "Don't give up on this bad. It was my mother's. I said, "Good!" It took me a long time to know that it was an excellent emotional expression, that I had learned from here, and that I was very sincere and kind to people outside. So I'm a very lucky man. There's no money, no money, no money, but it's very fortunate that I know a lot of good people. I didn't have any good people in school, but I didn't realize the harm.
It's 13 or 14 years, and the primary school teacher invited me to dinner and held my hand and said, "Don't hate me. I don't know. I can't pass you. That's the kind of mechanism. It's like now's education is about teaching people to become robots, like me. My grandmother's a landowner girl, she went to school in that feudal society, she went to Catholic school. When reform and opening up, she was a teacher. There was a fool in their class, and my grandmother taught one word and one semester before she could say a word. It feels like the kind of education the nation had at that time was very good. Now society is teaching people as robots. It's a society I can't understand, but I can't get away with it. I've been reading a lot of art books lately, and I know I'm normal, but I can't be like a normal social person, so I'll be myself. I don't want to be shy, I read, I study. That's why I'm here. I'm so happy to meet you in my dreams, including Vincent and others. Why do people think so much? I think it should be simple.
Tibet really saved me too much. I released all the pressure for over 20 years. I'm saying you shouldn't look at that acre. Your mother has been pregnant for 10 months, and she's changed from a small to a big one. Ten months isn't easy. A business earns money for three years and three months knows what it's like. I didn't answer your question. I'm here talking to myself. Because I only have that language, and that's what I'm talking about with Guo. I only have this text. I don't have enough text either.
With parents
I was late that day because my dad and I had a fight and I cried for the first time in three years. Then I had a fight with Mr. Ho and apologized. My dad thinks I'm growing up and I should have a little respect for him. I told you, Dad, we were so open, we were watching the show, I was with you every day at 31. I said, "Dad, why don't you ask me if I'm going back on a bike?" I was thinking about the script and the director said, "Open yourself." My dad was mad at me and I was upset. I said, "Don't yell at me. I didn't realize you were my father." I cried for a long time. I missed my grandma for the first time. I was arguing with my grandmother because my grandmother and my mother had a strange relationship sometimes. My grandmother has culture, my mother has no culture. I actually helped them argue that they didn't think I was helping him and that I was making a scene. They think I'm sweet. I'm 33 years old and they still think I'm sweet. I looked at that word, which is not a rhetorical word, it is the ability to understand the root causes of the problem, it is the ability to speak out. Tact is good. I went home the other day and I forgot to change my role. I trusted my friends in the theater. I forgot to change roles. I'm just wondering if the wind must be driving. I cried when I gave up. I think it doesn't matter if people out there say I don't make money or anything, and I know how old you are, but it's hard for you to forget your son just by emphasizing your father's role.
My mother was as happy as I was, but not shared. My dad specifically recognized me. He said you're okay, son. Special recognition of me. My father recognizes geography and history in particular, and he loves Chairman Mao in particular. He wants to be a hero, but he can't be a hero in this society. He gave up his social career for me. He went to drive. So my dad and I are very normal, not American relationships, but I don't have to be equal because I'm your son. I mentioned my mother because I recently found that connection with my mother. Because I didn't understand the mother-son thing, but now I understand that I'm my mother's version. Talk to yourself, happy. I can't understand why I can't find this connection. But my father specifically recognized me.
I cried because my brain was so bad that I didn't understand. It's like today's the day, but it's done. I didn't understand why there were children who were separated from their parents, and I started talking to my dad when I was 17. Until now, seven or eight hours a week, photography, art, everything. The gap I understand is the information error. I know it. I told you. I told him, but he didn't know it, and it happened. I'll eliminate it. I'll tell you what I'm doing. In this state, I feel good for me. I don't make money, but I'll tell Mom where the money went. Like investors, parents have the right to know. I'll tell them. So I had a hard time the other day. Because I've told you all my secrets, but you're still asking me with my parents. Boss, that's what you think I'm eating. That's what you think. But I do enjoy the kind of treatment that my parents have given me, and I have not forgotten that idea, so it's normal thinking. In this sense, one should be able to ask questions and demands, which is the foundation of humanity. That's not because you're my dad. You're forgetting that foundation. So I was late that day. It's my show. I'll think of some of my parents' relationships. I think that cop is kind of like my mom. The director is like my father. He knows how these guys do it, but she doesn't care how they do it because it's not professional. Just like my dad, he knew what I was doing, but he couldn't see the harvest, and that made me. Why should I invite you to dinner at our house? This is my project. Since 14 I've been looking for friends to eat at our house and show them home. I mean, what difference does it make between this big, big, big, Qinghua guy? My mom says it makes no difference. Schools are good schools, different from vision. All kinds of people, all kinds of occupations, are invited to dinner at home. Personal habits don't matter, but they can be sincere, understandable and observe Beijing. I'm very lucky that my parents accept me. Like my dad said, I'm stable in the backyard, and I'm in no hurry. So you're saying why I love helping people because I'm fine. Except maybe a little emotional. Because I read an article saying that arguing doesn't make people old. Back to the question, going through the door and going out, I'm actually a fuck-up, but the point is that I care what other people think, maybe right here. I kind of like this place. You see, I can't answer exactly. I'll answer a lot. I'll have to lay a lot. It's the distance I'm not going to A to B. The text gave me a sense of security. One moment is sad.
Time to spit.
I'm telling the truth. I don't have anything to say about P4 Theater. And back to the question, that day the director called me a robot, and that day touched me so much that nothing touched me. Because I found the director too tight, but I couldn't help her. I'm also wondering if I know I'm nervous, and I admit I'm nervous, but I don't know how to open it, so I have to cry. So I went to talk to the director, and I thought the director was too depressed, and I wanted to help her.
And there's one thing I'm mad about, that's that Roh let me put the glue on, because at that time, you didn't have to let me put the glue on you, you probably did. Nothing else.
Yona's problem is the red deer didn't do it right. I talked to the red deer. It's nothing, it's not right. It's not right to change the angles because they came from Tianjin for four or five hours. It's not right for the red deer to know the whole structure and know a process. That day I wanted to hug Yona, and I saw you all. Because this is going to make actors lose their trust in the world and feel that there is no love. Nothing else. It's delicious. It's delicious.
(Today's Monday in the cafeteria.
Hey, you know I'm not coming today. I'm coming on Tuesday. Actually, I'm glad to hear it from you. I'm a little lost. I love talking to you guys. I've been a little bit like a big brother, and I've heard a lot of secrets and inspired a lot. But now it's getting harder and harder to listen. Because I have so many secrets I can't handle. I've had a buddy ask me before, what are you fucking with your parents? I told you to go to my house, and then the guy did. It's the beginning of the curiosity about me. I don't think I'm restricted by social personality, and I don't have any of that stuff. That's why I don't have any money. I don't defend myself. I'm not stupid. You're here like I said. You're asking about Conmonal, not about Conmonal. I'm really saying it.