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Preamble
It was not enough to do a play in a month, and P4 Theater was committed to documenting the interactions and changes that each participant had in the p4U rehearsal as a record of life.
It was a life in which, having completed the impossible one-month bloodstorm, specialized interviews were conducted.
//
Zhiu Yu last night.
Q: From going into the theater to the end of the show, your heart travels?
A: First day in the theater, first day in the theater, I thought that He Fa was so handsome and dropped a much better-looking forest from the sky, and I'm going into this group. I think this theater has a magical power. There was no attempt to play Liu Dou. At first I wanted to be a little girl. At the beginning, I thought there were a lot of good people in this group, but I don't know which one of you really is. We've met a lot of people during rehearsals, and we've been excited every time we watch a fire, and we've had a way of working with everything, and everything's like that fire, and it's like talking to each other, and it's so good to bake potatoes, and then it's good to eat.
I'd be very good at secretly falling in love but not saying, the first person I'd ever known, Darin, was the first person I'd ever met, and even if the gold didn't talk to him about it, I wouldn't talk to him about scorpion, like my ex-boyfriend, because it's because of scorpion. And then the next thing that happened, the happiest thing in the theater was to know a lot of people. I didn't expect that, but I had to separate, like in the movie.
I'm acting because I want to be in a state of silence and finally calm. That's what I expected of myself, just as I washed leaves in front of a temple, and he was like a leaf I washed away.
I think it's good to start now, because I've helped my parents, and everyone has their problems, and I'm too emotional to go. He Fa knows that I cry every day, and I'm too hard. People are mobile, relationships are mobile, and I do not seek what must be stable right now, and I insist, and those are my thoughts, and when you know the path of life, you play and play, and not hold back. Remember once when I played with the gold, my habit was to hold me captive, Zenji, breathed, put this experience together, and the gold was pouring at me, and she said, "If you don't release everything you love will be gone." The more I loved before, the more I left because I would take it to the swamp. I just don't care who I meet now, for example, when I want to stay at his house, but he doesn't want me to stay at his house, to change it, to call at night, to read poems, not to have to deal with it in some way, to feel it, like a slide, like a chair.
Q: What was the experience of howling?
A: I feel like I'm calling out at the end of the show, and I feel so good at the end of the show, and I'm not rigid, and I don't care if I'm acting in pieces. I think it's gonna give myself a hundred points, and I'm not getting out of it, and I'm really getting in there, and I'm gonna keep thinking about it.
Q: How can it get in?
A: Maybe trust, and finally a trust in the stage for itself, and the Buddhists of the upper school say that it hurts because they are not good enough for themselves. For the first time, it's so well-meaning. The previous scenes were either student theatres, which were not highly professional or particularly highly professional. The student theatre doesn't have a big brother or sister to accommodate you or respect the elders. And even the first time I cried was when I said, "Don't care about those who hate you, including me, and in my dreams heard the story and said, "You're warm." Strange and strange. When I was a kid, I was raped and beaten. There's a feeling of being trapped. Giving me too much love for me will not flourish, and I will not relax, especially in the interest of stable goodwill but not, and will not be able to build a self-sufficient system. It's good to develop, relax, don't care. I don't care if it disappears tomorrow and is taken to a place. I don't care.
Q: "Scatter action"?
A: I've been talking to Gold about the question of the sense of power, the feeling that it's coming down from the foot, the possibility that it's about trust, the fact that you're in this state, the little mad monkey's doing good, and you're taking it with you. I think I'll take this feeling of trust to the show later. I think the script is really a carrier, he doesn't matter, he knows these people, he goes through this thing, we build a boat, we sail, we find wood, we work together, it's more precious than everyone's going around, and it's like, "How boring when a face is, like a frog calling his name on a pond," and it's so much fun. It's really good to have dinner here.
It doesn't mean much in itself. It doesn't mean much in itself, but it's particularly interesting. Translation directions, but I eavesdropped on a lot of language lessons. Listen to a pond frog. It's really interesting, but it's not what you think.
Q: How do you translate "Howling on the ceiling"?
A: I might translate into an Ahhhhh. It doesn't matter. Because that's what I'm thinking, because it cares about our voices, and our feelings are actually a "aah". I got a job as a translator, everybody had no job after vacation, and I was lazy, and I thought of translators and eight-year-old interpreters. That's the only thing I can do, and the rest can't go on and on. I've always been interested in the show, but I've never been confident, and I've really gone through details like a roller coaster, and I'm just kneeling there to listen to the man and do what I want to do.
Q: What happened to your hand?
A: Every winter hand becomes a small dinosaur. I wash dishes with gloves, but don't I have much to pay for it with hot water, and I feel a little guilty that my roommate is rich and she buys all the stuff, and she says that I'm going to do more work to make sure that I'm going to pay for it. I just want to experience a bitter experience, and I'm obsessed with death. It's good to suffer. I'm a little sadistic and I think life can't be worse. I've been through all these things and I feel like I can't be worse. I spent a lot of money in junior high, and I feel like I'm wasting my time. I don't want that life, the life I'm looking for, or I've been looking at Buddhist things, and I've been looking at all kinds of religions, and I want every step of my life to be connected, and it doesn't matter to me, but I'm going to plant it one by one.
Q: Biggest wish at present?
A: I feel like I have no desire, and I have recently learned once again that every cause is bound to my fruit, and every moment is my best. The scriptures, wishes for xx, are read daily. The meaning of wishing for the enemy lies in the fact that when his demon is broken, he is no longer your enemy, nor part of a better world, and that he can be spared only if he is blessed with good faith. I am taking the consequences for others, for others, and for myself. I said I'm in Zenji.
Dreaming, writing, playing neighbors.
(fa=He Fa;ru=Dreaming; cu=Silk; guo=Go Jouda; shiyi=xi; hua =Zhang Sauhua)
Fa: A heart trip?
ru: A lot, too much: I saw you three when I first came to the theater, and you three gave me dangerous breaths, ghosts, evil breaths, but I didn't give anything, and then I didn't give it to people, and I didn't give it to them, and then I didn't give it to them, and then I didn't give it to them for a long time, and I liked it a little bit, but first of all, He Fa, who used to treat you like a spiritual father and never saw a man like you, and I didn't know whether you were 22 years old, who beat me up every day, or He Fa, the person who could really see me in a novel. And that's what you really did. You really didn't meet the second person, how you're living so big, how social rules are so different from this person. I said on Twitter that I really saw you, that there were more or less social signs in the family, and you didn't. I'm afraid you don't understand. He Fa told me everything and I copied it. People around me, I'm the most artistic person, and my buddy is drinking in Internet cafes all day long and thinking about how to get girls. I'm the most creative person in my environment. I feel like I'm at my age, and I don't like to be friends, and I'm a high schooler at my age and I'm 23 days away. This thing inspires me, and I'd like to be more than anyone else, who seems to have nothing to do with me. I was just curious, because I didn't know what you were doing, and the first thing that was exciting was that we started recruiting people for the show the other day, and then I thought, "Why would anyone be here?" This play doesn't seem to give me any excitement. The relationship is getting more and more different, as if it were like work, and it was so peaceful after smoking lit up, how could it be so calm that it ended up drinking and chatting together, and then it ended, and no, especially calm was something I didn't expect. Calm down, I didn't think. I suddenly thought of the old thing in the city, Lin Hae-in, "I'm not a child anymore when Dad's flowers fall."
hua: Three hours of howlerers?
ru: It wasn't exciting, it wasn't very volatile, I didn't know what to do, a person had an idea, I didn't know how to fucking change it, all of you had a wrong understanding, it had nothing to do with howling, it was all about body control, it was all about body control, it was all about the way that all of you reacted to me, but it was really ordinary, you gave your own ideas to the script, and you told me that it seemed like this, whether it was a man or a neighbor's little girl's tavern, Laudu was a man, and they were out of control, and the gun had to be opened, the howler had to die, and Laudu was not the only positive actor, and it wasn't to me that you misled me in the fuck, but it was the script I thought that I might have a new idea later, not for the people's howling, not having anything to do with her. One dream is me, the other dream is me I don't want. Don't look at me. I'm scared. And then I thought, "Who's yelling at me at 5:00 in the morning?" I actually had to get up to work at 5:00. It's not my idea. I must have thought of myself when I wrote it. If there's a curve after the show, and it's just a little up and down, and it's just going back to where it started, and the top point is the day before rehearsal, it's a thing, it's not a piece of shit, it's really good for a red deer. I'm not a neighbor, I'm looking in the window, I'm rehearsing the red deer and I'm talking to God before the show. It's not that exciting. Oh, come on, man.
Hua: Nervous, pre-stage afternoon?
ru: I'm not going to lose my chain before the show. I'm not going to lose my chain. What's wrong? It really didn't make me feel too excited, but it was here, reading, chat, Real Image more excited, rehearsal work.
hua: It's like shit.
ru: There's a point. Because you can't create a work that solves the problem, how can that be? I'm a very strong person, and I'm thinking in my head that zaoyi's crying and I'm clearly feeling that pain, and those people are things that I usually feel, and they sometimes come out together and they seem to know each other. I'll shave my eyebrows tomorrow. That's probably why zaoyi cried and I cried.
FA: I laugh when people cry.
Guo: Me too.
Ru: Kwok takes care of everything he says. This is the master.
shiyi: I laugh when I watch a lot of sad news.
hua: I laugh when I see people cry.
cu: I panic when people cry.
SHAYI: You were laughing.
ru: Gene testing my creativity is stronger. I've been thinking about four or five stories these days.
cu: Is it boring to become a job?
ru: But I was more anxious when I rehearsed, and Vincent was going to be different. Don't worry. He knew Liu and Ma, and we met in junior high. Worship, so godly man. If only I knew myself in junior high. Vincent has made me less anxious about the rehearsal process, and I feel like we're working really inefficiently at the theater, and we're just starting this afternoon.
Fa: What about gold?
ru: Gold, hoo, hoo, hoo, hoo, hoo, hoo, hoo, hoo, hoo, hoo, hoo, hoo, hoo, hoo, hoo, hoo, hoo, hoo, hoo, hoo, hoo, hoo, hoo, hoo, hoo, hoo, hoo, hoo, hoo, hoo, hoo, hoo, hoo, hoo, hoo, hoo, hoo, hoo, hoo, hoo, hoo, hoo, hoo, hoo, hoo, hoo, hoo, hoo! But she didn't affect me much. I'm getting like He Fa, and I learned something from gold without affecting me. We're not on our way. I'm sure it's hard for you to do everything you've done for the show, because it's hard for me, because it's hard for me to be so hard for you and me to talk to you, and it won't escalate. You do your part, I do my part, and I do my part, and that's what happens in the two worlds, but gold broadens my horizons, and she's normal, except that she and I are completely different from what I've seen since I was a kid, and that's what Columbus did to the Indians for the first time. Actually, the gold I thought about. A phrasing "discriminating approach". I didn't have it all before, and I'm more than 1% like everyone, and I'm not 1% of gold. I think she's fake, maybe she's not, but it makes me feel very false. He Fa said there's no time to be a director, and the other one's too bad. The director has no choice. It felt like gold was able to do things, open the door and look at the image of the sister, the tone of the gold, and the tone of the word is so thin that the person who talks like that must have a very delicate heart. We didn't talk at the workshop. We haven't had more than 20 words. And I said to 11 that day, "Young master, why is she not feeling well? I don't know what a professional actor would do to you, but I don't know what I can do to be a child when I'm 200 pounds of 22 years old. This way of training, which is what Little Red Goose Lee-yu says, and I don't know, I can't stand the five hours that gold goes by. You're too hard. You're hurting me. I have stomachitis. I was only able to do that at that moment and when the mood was very volatile, unlike when the show was over, and it was like playing a game and reading a book, and we were playing another game and cleaning up.
FA: Other people who impress you?
ru: The red deer really touched me, and she did what she wanted to do, and she did what she wanted to do, and I did what she wanted. It was a red rose that I wanted to hold. I used to like white roses writing papers, and maybe in a few years I'd become white roses. Yeah, I wanted to do what I wanted to do right now, and I came to see p4U.
ru: The other one is Xu Joo, the most honest actor in the world, but he's happy to come out too. I don't really like Renate, too much, but I think of myself as a person. He's nice. I'm particularly oblivious to elegant things. What are you doing? I'm usually in a state. I'm an idiot. Don't get mad. And suddenly, he's so fucking handsome, he's got me in his hair, and you don't know who's not stupid, you don't know. Since you know you're still holding someone else's hand, I want to be noble, and that's what you think, but you're with someone else and who's into you." Are you guys riding in school? I'm sure Renate and the gold are very familiar, and I think they're kind of people. Let's not go into each other's world. I don't want to go into comfort circles. I don't reject character and environment. I don't like you, but you're wrong.
# The Howler on the ceiling
Fa: A vision for the future. Next year?
ru: Literature! Music! I don't develop either. There's a lot of different lines, maybe there's something to see next month, maybe I'll play with them somewhere with a p5U, and I don't want to drown in p4 and I've got my own way to go, and I've weakened the idea that I can't do anything alone. I'm gonna say comedy when I'm weak, and I'm gonna write who I'm gonna do it, and I might have a good relationship with the theater in the process, not rely on it. If my relationship with P4 Theater turns from dependence to being my theatre officer, two years later, three years later, out of the theatre, and I don't think about it every day, I suddenly have an idea if I can do it with the theater people, healthy, dream about the theatre, and dream about it right here, and I'm afraid not to die here, how do I get out of here, force myself not to come, and it's not healthy, and the healthiest relationship is that I keep a part of the theatre but not in it. You know, I work with you. I'm very happy to write without an audience. Weibo has 101 fans, over 70,000 words, Big V. He's watching me, and I took a picture of him the other day. He sent it to Weibo. He commented on me. He just read his book last year.
hua: Let's take a dump at the theater.
ru: It's too cold, it's too inefficient for the theater, maybe the least uncomfortable for me to come to, why not work, why not build a place like this, but I think it's still a little low. We didn't get a sense of exercise, probably because I slept with Kwok, the alarm was ringing, what time was it, you're going to beat yourself, Guo's sun up, I woke up smoking in the house every day, I went down to the theater, and I didn't feel like anyone was halfway there, and you didn't have anyone in the morning, and the whole group was the most efficient, and she wasn't afraid of being too tired. I think this place is too difficult to do, to practice, to start working every morning, to develop a healthy lifestyle, to interrupt with me, to go home to my biological clock, to sleep at the theater every time at one or two, at eleven, more than six, and today I've only slept for half an hour, at home for more than seven hours, at home, and my parents, who wake up and have to wake up for a long time, have a good biological clock, have little sleep, have a good state of mind, and no one's working in the morning. You can ask Guo, I'm up at some point every day. Eleven too good for me to envy her. You know, you have to wake me up by 8:00 tomorrow. This morning I went to the injection, called Kwok, beat yourself, fight, fight, you don't want 180 more minutes a day, like 11, to study, Kwok, turn it off and look at the video.
The soufflé, the play, the dancer.
(fa = He Fa; su = Sou Sou; c = Yellow Sakura; hua = Zhang Sauhua)
su: in the company (voice interview)
fa: heart journey
Su: I thought it would be nice to start with a video and a personal profile, but I didn't think I'd get through it, and then I went to interview my girlfriend, and then I said I wanted to dance, and I thought it would be fun to try something new. The first time I went to rehearsing was rather disappointing, there were a lot of people who didn't do it well, others didn't know how to do it, but I was a dancer who didn't really know what to do without the words, and then I didn't listen to music, and I didn't know where to dance, I didn't know the lights and the steps, I didn't know what kind of dance, I didn't know nothing, I didn't know what kind of dance. I was a little ostracized in the middle of the two weeks, and then I got a public article, and I liked it, and I looked at the picture, and it was nice, and I felt like a little theater, and I went to the first rehearsal on January 1 and said, "Let me have a modern dance, waltz," and suggested that my dress style was a modern dance style, so I couldn't hear the music and found it right to dance, stood there in a dress that wasn't good enough to dance, and I didn't know if I should thank the curtains, and I couldn't cry when I was standing behind the dark curtain, and told Chang and the boss that I felt abandoned, and then asked the director, who said that I could jump in a different place without a coat, and that I felt a lot more confident when I had the right clothes and danced the right kind of music.
Fa: Most people are not looking out for you, directors are limited in information processing, sorry, very busy, neglected, but you can come in, you can get more room for development, don't worry, create freely, and many people can play their own games.
Su: It feels like we all have lines, and I'm afraid if there's no words to play again, it'll affect the rhythm and movement.
Fa: It's possible to change the scene for you. The director's style is more improvising, and we can actually be bolder. How does it feel to read the script at first, from girlfriend to dancer, how it feels and imagines the play?
Su: It's hard to understand what he's going to say when he gets the script at first, like high school reading to understand why the author is going to write a little rain in the sky at the moment. The sign might say that it's going to lay the back of the story, it's going to fit the hero's mood, and so on, but it's probably just the sky that happened to rain. Just like this script, it's possible to push the script up, but it's possible he just wants to write a weird story, not that much. I'm glad this weird show is getting better and better at the end of the day.
cu: Why do you want to be a girlfriend at first?
Su: The real and subjective reasons, the subjective reasons, the feeling that this role is rich, the actor with whom you play, the communication, the easier to mobilize, the fact that other roles may read more, the fact that I don't have to do it on my own, the fact that I can't do it on my own, the fact that I can't do it on my own, the fact that the other roles are too monologue, the fact that I'm busy, and I'm afraid that I don't have time to do it, and I can't remember, and then I find that we all actually have something to do with ourselves. At first, I was asked if the dancers would mind the lines, but they were happy to dance, because they were busy, they didn't have much time to rehearse, and they were afraid that too many lines would slow down. But if we get a chance in the future, we'd like to have a part.
Fa: Howling experiences, painful days and moments
SUS: There's gotta be, there's pressure on everyone, there's stress on work, there's emotion, and now you're asking me something that I can't tell you because I've been having a little fun lately. But there is.
Fa: Boyfriend? Why did you break up?
Su: There are no boyfriends now, in 2020, and I feel like I've had a lot of fun after that. Why did you break up? It's good to ask yourself what it's like to be in love with each other, what it's like to be in love for decades to come, what it's like to be in love, what it's like to be in love, what it's like to be in love, what it's like to be in love, what it's like to be in love, what it's like to be in love with me, what it's like to be in love.
fa: Why?
SUE: Maybe I didn't meet the guy I liked.
F: Is there anything in the play that moves you? Men Fan.
S: No, everybody's fine, but they're not, but I wish they were. So I'm envious that you get to meet a lot of new friends every other time.
F: Are there any people who want to piss?
SUS: He Fa, he's always suddenly unhappy. But I found that you're pretty cute and you're a lot better at least. There's a prelude to everyone else's anger. You're a blue sky cloud and a storm.
FA: I have a disability, please take it easy.
Su: Recommendation: This group of people didn't introduce each other or describe the characters in the play, and the play ended, and people didn't remember them all, photons, dreams, three dogs, 42 deer, 42 deer, 42 deer's work code?
cu: 42 is not my number.
hua: 42 is 42.
cu: Too many. It's not fair to say you can't remember.
Su: Tell me to give up my memory.
Fa: Every part is important, like a cop's performance is different, and he's got a lot to gain.
Su: There's a curious thing, and I was worried that nobody would buy the tickets, and I saw an aunt the other day, and I was particularly scared of her. She's worried about what happened to her, or she doesn't like the play.
FA: She's fine, bought VIP tickets, told us she liked the form of the play.
Music.
(fa = He Fa; lin = Daelin; c = Yellow Sakura; hua = Zhang Sauhua)
Fa: A heart trip?
lin: Dream tour. Not so much love. It's a coincidence to start knowing you're in a cocoon room and finishing "City Survivors" with your friends, and I wanted to come and play with you. After those people had gathered together, The Howlerer on the ceiling had become independent, where it had grown itself up until the last day. It feels better in public than in any rehearsal.
Fa: Have you ever thought about quitting?
lin: It's impossible to get out. We have to see what's last. The gold was sensitive, and her rhythm was suitable for a three-and-a-half-year play, which ended up back in some sort of orderly fashion without a car accident.
Fa: Was there anything unexpected throughout the process?
lin: Since the beginning, there has been an open mind that must be fresh. There is nothing particularly unacceptable.
FA: I feel like the forest is cotton, the abyss.
hua: There's no sound in collisions with anyone.
Have you ever thought about suicide?
lin: You mentioned before that you experienced the upheaval of the world view when you were 21,2. A few months ago, in my 1306 house. It was in the End of the Age that the sound of the house was sampled. I feel like I'm in turmoil. There are many things that I can't figure out, I can't find an exit, I don't know if I've gone off or off, I don't want order or instability.
See if you've had some extreme exercise and you want to jump?
lin: It wasn't about jumping off the roof, it was about the city. It could also be a high level of separation from the trivial sense of daily life, from which you sometimes look like a mountain river in buildings and traffic.
FA: The gold was in Shanghai before Gansu. What do you think of the two places?
lin: I think the southern climate is pretty good, it's a little adapted to the southern climate, and it's hard to get back home with a dry nose. The experience of growing up in the northwest, the coolness and roughness that I've brought, has become part of me. So then I don't care what I do, or I write songs that always have a feeling of dissociation, some kind of roughness, coolness, particles.
I'm not looking for something that I'm sure of, and I'm always going to be very distant, for example, when we're here now and we're not moving, but we're actually spinning at 100,000 kilometres an hour. Because the Earth is spinning in public. Dust, time, Big Bang, a moment in human history. Returning to the reality that the physical constraints of having to eat must be drinking, being isolated and isolated and torn. Emotional stress and so on is just a trigger point but not the core.
The idea of suicide?
It's not often thought of, but it happens at some point. The final book, read at the end of 2020, is a scary book, " Towards the End of Life Alone ", which was written by the author shortly after he committed suicide, with a powerful logic, with many perspectives, closely constructed into an innerly closed building of self-inflicted, self-dead, suicide. I fear its persuasiveness, and I fear its structural aesthetics. I'm scared to have a strong reason for suicide.
The Open End of the So-called Observatory?
It's more in tune with what we're doing now, and we've come together to do it more ridiculously than the play itself, howling, searching for something that we can't find. (freaks)
It's life itself. It's closer to my own body. The experience of six months ago was also linked to a myth, which I have so far become more mirage-oriented in myself, where I now do what I really wanted to do three or five years ago, where the answers I wanted to find are not much closer, and where the momentum that continues now is simply the inertia of forgotten courage and power, where there is no spontaneous power to build engines, or what happens when the old inertia is over.
F: Will there be a sudden reversal of the previous choice and a denial of self?
lin: There will not be any sudden moments, but like snowballs or mudballs, which will always be thrown out and added, slowly changing over time. But some decisions are rather sudden.
Fa: Best decisions ever made
I can't remember, I can't find it.
cu: "Every decision I make is awesome."
lin: Ha ha, I hope one day I'll be like a deer when I say every decision I make is awesome. I think that's good, pretty sure.
FA: I'm in a state of nonsense. I can't filter.
lin: It's possible for everyone to remain at peace, but I think it's boring to stay at peace, it's extremely labour-intensive, it's good to communicate effectively.
F: What nonsense have you done?
lin: Some of my decisions are ridiculous to my family, including watching the sun out of the window shine on the mountain and taking the table home from school. And later, playing the art felt that there was no point in me being able to maintain basic living conditions. It's more important that one wants to do his thing. I think my life is pretty random.
hua: Why do those universe-time types say you're random, life is ridiculous?
lin: Because the bigger thing is one of them, it's good to see, but it's good to have choices in your life, like jumping upstairs, or you'll survive for a few days and be involved in the creation of a fantasy.
F: So far there have been no satisfactory works
lin: No, after trying to do so many demo, I began to take a little bit of a negative about the creation itself, whether I'm in the sun or in grief, and I'm just going through it, and if you get involved, you're going to experience some transformation at the same time, and it's going away from the current experience. It makes me feel like the involvement of creation makes my experience less real.
Fa: Running away from self-interpreting is ridiculous every day. It's not a play. It's a life. There's nothing better than life. I haven't been to the gallery art gallery for years, and life itself is enough.
lin: Feel your certainty, okay. The question of prejudicity is really hard to say, the process of feeling, the transformation of creation, how do you see the two differences, and do you lose the motivation to create because of this separation?
cu: No, I prefer the second. The most peaceful and desperate moments have been experienced. Or because I don't create things that are directly based on life and translate them, and my creation is not based on anything. The creation itself shapes my life. But I don't know what it's like to have something to do with my life, but it has to be done, and it hasn't yet been created to devour my life itself. It is true to translate, but only then to feel that it is only through creation that I can better see why I sat out of the window all afternoon. An event that bores me to despair, and the unknown nature of the creation gives me hope. The creation itself will give me an impetus to add new elements, and I have a very downtime before I come to the theater, and move on and get back to that hope. The creation of a new life itself. Snacks. But it's not necessarily a closed circle, and it takes a lot of creative work in life to make me feel better about what's happening and what's about to happen, to combine things that I don't want to do, like making a dish.
Fa: Creation and life is a set.
hua: I thought it was a translation, and I saw a lot of things, and I used to imitate them sometimes, and then I could express it in other ways. I want to live, to live, to be strong, to go in that direction, to go there, to go back there. Without that desire, you don't have to live.
FA: I'm the most active, except for Guo. How did you do that? I'm so bad at English, I'm bad at speech, I'm bad at speech, I'm bad at speech. But I'm not as determined as you, and I can imagine that in a year's time, there's no long-term logic.
lin: I'm out of judgment now.
FA: We don't know what's going to happen tomorrow. We don't know what's going to happen. Did you ever scream?
lin: I should have cried a lot if I understood to sound.
Fa: You keep avoiding the "most" problem.
lin: "Aah!"
Fa: That's awesome. Happy Birdday.
lin: He means rebirth.
hua: Cheap?
lin: It's fucking cold. I'm going to the second floor for the last two days. I'm freezing into a dog in two-story pants. I think you're doing an amazing thing. It's really amazing. P4 Theater, the space platform, it's pretty awesome. Come and play with you later. But can you be a little aesthetic? You'll sort out some people... Most of them don't have aesthetics, especially He Fa.
Lee-sun, play, reporter.
(fa = He Fa; li = Lee morn; c = Huang Shao silo;hua = Zhang Shaohua; shiyi = XI; dalin = The Great Forest; keyi = Sun Ko I)
Fa: A heart trip?
L: Because Real Image. If " Howers " were to be seen, to have an experience, to be an actor or to get to know something new was the driving force. Just want to feel and experience.
Fa: Is there a time when the mood is low?
li: This is a particularly happy time, if not for coming here, not talking to so many people, sharing the same feelings, wanting to talk to people, wanting to understand others, and understanding new things.
cu: You quit your job, right?
L: Movie promotion, short-term work, home rest, and a little more experience.
hua: What's the experience in this play?
L: It's a bit of a retard.
Dalin: She was crying when she came out of the subway, so she might be slow.
I'm sure I'm bullying her.
LI: Not bullying. There's a little misunderstanding about each other. There's a reason.
darin: He Fa is a narcissistic.
Li: I was laughed at by my own strange behavior. One second you're crying. Right away. Hi, Darlin. The experience of making videos, giving up one's personality in the process, understanding the director's idea, doing the role she wants, I have to bring her ideas, drown my personality, go to work, act in the sixth act, get a viewer, and I've been in the role, can't laugh, open my eyes, even if you're laughing at me and learning to control yourself in the process. I don't hate this process. I like it. I laugh and cry in my life. If you have your magnetic field when you're in conflict with him, I have my magnetic field, and you're more direct, although it's not logical, I'll control my emotions, I'm too distant, you'll think I'm against you.
FA: Consensus, don't play word games because I play word games better than you. Then the next time we get this done, it's action to dispel misunderstandings.
L: When I talk to you, I feel like I'm not feeling well.
cu: Cheap?
LI: I really like this place, and it has an impact on me for the next few years and decades, and I don't feel that I'm not completely wrong, that I'm purely spiritual, but I'm not black or white, and I don't know what to look at. Scramble in reality and spirit.
Fa: Splash, mind creation and reality. It's not a pure utopia. It's a lot rational.
li: Everyone is not working together to make a real play, but the driving force is emotion, which divides a normal person.
Keyi: I think normal is emotional driving things to reality.
cu: Is there somewhere you can do something spiritual?
Li: I grew up in a small village in need of material but silly, and I'd leave them, and I'd go to a lot of villages to find out where there was a fountain, remember, to fetch lobsters, especially to explore them, and I'd miss myself so much, that I'd feel like I was a very emotional person. People
cu: And after work?
li: I have spent many years in a secular environment giving myself a very universal value, and I still do it in the sense that it's the right thing to do without thinking about my feelings, so I've collapsed, and I've seen a lot of bad things, such as small businesses hurting the interests of the weak, the deceptive elements of advertising, the unacceptability of values, and I've been fooled too many times, and I've lost a little bit of confrontation.
cu: So a place like P4 Theater can at least relax properly.
LI: I can feel what I really like. I don't hate anyone in the world and complain about anyone. I just feel like a world with what it's supposed to be.
Dalin: Everyone here believes in some fairy tales.
Fa: Knowing is a fairy tale, 30 days.
L: My experience and feelings are dreamy.
Dalin: World of the West of the Planet
cu: The reality is not necessarily cruel. With the foundation of reality, the spirit is enriched.
LL: Realism has kept me away from my imagination and my expectations, and I now look like I'm very emotional, and I'm very blunt about reality, and I'm attracted only mentally.
cu: Mentally happy
li: I know a person. I'm happy to know a person.
darin: Traveling on a person
Fa: Explore everyone, but create, think, not experience.
L: I'm just gonna read the information on it.
Art guide Vincent
(fa = He Fa; v = Vincent; c = Huang Sukura; Hua Zhang; shiyi = XI; dalin = Great Forest)
Fa: A heart trip?
v: I don't think so. Why can't you tell me what's in my head, especially meta, it's out, it's wonderful, it's the most real, it's not true anymore.
Fa: One came from a dream into the door, and the other was done by 30 of us, and it exploded to no avail. It's about listening to who, so-called director-centre system, a bunch of actors crazyly practiced.
v: The problem of self-organizing, how can we do it if we're not going to do the traditional drama, not the solid plan?
Fa: Seeing a dream dispute with gold, an art guide intervening, how you'd get involved if you thought you looked at it from your perspective, your own control, your relationship to this.
v: At first it's a dream to change the script, not a script in the traditional sense, personally, Primal, not a play, but a release of feelings, and I want everyone to be comfortable, and I want to talk to everyone, so why do we have to be uncomfortable, to be in a better state in the end, to compromise with gold, to be self-made, to speak mainly to be what I do?
hua: Hard to control? Hard?
v: Too many people to talk to everyone. Too much trouble. It's just, I don't know, what I understand about this is that gold and dreams provide a structure for all to be themselves. The conflict between actors and non-actors, acting, is what they enjoy, acting and non-activators feel differently. Actors are tired in the process. I want to be quiet, non-actors feel too comfortable going to social, a difference to perform, which may be a bigger difficulty. It's too painful for an actor to see someone else not acting. The non-professional actors think it's more important to express themselves. Unprofessional actors are also under pressure to watch professional actors. Yona didn't know how it was. I wasn't particularly happy, but I didn't know what was wrong. The red deer thought Yona was a great actor, and the conflict itself was good, even if it didn't last. I can't see it at the end, there's too many people in that room, Rocco took a lot of anti-inflammation pills, she was sick, she was crazy, I was desperate, not so close, she was crazy.
Shiyi: Look at a little stitch.
FA: Li Yu is really too much drama.
This is too long.
hua: Forget the words.
v: They seem to be the best performers. Non-actors don't know how to add words.
Fa: An accident between rehearsal and script?
V: State of acting, crazy dreams, just like this, keep saying I'm wrong. The red deer's state is as crazy as a dream, talking madly, making fun of it, laughing at it, why did he do it? Why did you make a sound?
Shiyi: Boom! Have you thought about the light man's feelings?
v: Crazy, improvise, chaos is really good.
darin: improvise. I don't know when they'll add lines.
v: No sound, no audition.
Dalin: But I've been using his keyboard.
Fa: In fact, the performance was perfect, giving the audience the feeling of a bit of a bumpy, but unsatisfied. The final international song is going on.
v: Deer's nervous, repeats.
Shiyi: I'm counting in there with Koichi. Repeat.
Fa: Howling your own experience?
v: Go back to the problem, get rid of the drama, and do something that's more negative, his text is too strong and not just text. I don't think I have the feeling of howling.
Fa: Define howl, shape howl
v: Desperate state, I'm writing something to express myself, but I don't know what it is, it's impossible to communicate, but it's too clear to myself, this gap. I write things that people don't understand and don't show them. I'm used to it. People don't know what you're doing. Because I feel nothing to be angry about. If I were in that state, I thought it was normal, and I knew it was very good, because the best moment I had, the moment you were doing, the last moment I saw.
FA: Who do you think you know best?
v: It's entirely your own idea.
F: That's my idea. Fuck you.
v: Too arrogant. Who do you think you know?
FA: I don't really understand. I'm gonna pretend to understand.
v: That's too much for you. I don't know who. I know you.
v: It's just that you didn't show up in this play, but you've had a huge impact, and you've been driving yourself out, and the process of creating itself must have happened to some extent, and you've basically exposed yourself to the same degree as you've been dreaming, and you've been doing it all the time, like shit, why you're so obsessed, where you want to offend the audience from, and you're going to explode so crazyly. I don't think there's a lot of things that people do in different ways, that I don't have a self, that I do, that one object, that I do for a person, that I do for a person, that I do for a person, that I do for a person, that I do for a person, that I do for a person, that I do for a seven-hour show, that I'm basically crazy, that I don't know the person, that I don't know, that I don't have a strong self, that I'm avoiding this, that I don't know you very much.
FA: Have you been crying lately?
v: I cry a lot.
Fa: What was touched in the process?
v: Seeing something to cry, it's rare in real life.
FA: Your best friend Monroe came and talked to him, and it was surprising to me that the gold kept telling everyone to open, especially the boys had to cry before I left, but Monroe said I cried when he went through it.
hua: It's not like you know, you meet, you're touched.
FA: He's actually, he describes himself as autistic. Nobody understands his state.
v: The first time he saw him, he felt so familiar, he didn't have a self, he cried and talked in public, he was very good when he calmed down, there was a lot of things, there was a very good language by photography, 100,000 pictures in Beijing, and your things weren't photography, and you were denied because you were doing something completely different, conscious, very close to a perfect work. I recently made some suggestions for his work. No self inside, mainly him.
zaoyi: Crazy?
v: I've had a lot of psychosis since I was a kid.
F: No self?
v: Some self-centred things don't matter, they don't work, because they're not the best. It's good to talk to people and bring out something else. Everything else, it's different every time, not exactly what it is.
fa: try to describe "other" in words
v: You don't notice the word "crazy," for example. To protect my creative state, which I'm sensitive to, which is basically being lost without interruption, which is different from the state of life, and which stems from the disharmony of life, it should not be said that the state of creation itself, with no idea what I'm talking about now, is far too far away. I don't think there's too many people in a state, and I'm talking to her afterwards, and she's creative, and He Fa's bullshit, and it doesn't matter, and the whole thing doesn't matter, you can go into a state where there's no filler, not a state of traditional drama, modified self, a normal person is not crazy, and you can go into a state of madness, above yourself.
Fa: Life and creation?
v: The face is too wide, the state of creation is too big to live, and I recently found out that it was too late for Tina's wife to come home to work at 798 last year, and that we were trying to separate our life from our creation, why can't do it now? For zaoyi, the creation comes from life and life is going to consume her. It's too painful for me to do something higher than myself. No, it's comfortable, it's painful, it's not that important. Van Gogh said nothing about it. The later people told too many stories. I think he was too far away. This play has nothing to do with suicide. You in this industry, that's a common phenomenon. You still have to deny that you're repressing yourself and demeaning yourself and that your idea of suicide is insignificant. My first love breakup cried for a month, my eye vein exploded, and my heart broke for another month. Don't trust that thing. Depression is good. You're going to work, and you're not depressed. Emotion can accumulate in that state. Don't use so many words because there's no way to discuss them. I don't have much to say about this because it's too long, for example, social worker, a Chinese girl who was trafficked to New York, who's in the hands of a gang. It's common, New York is the largest place for people to trade, looking for a rural girl to fall in love with a man, having her passport locked up until she consents to prostitution, the police go to a gang to get a nest, illegal immigrants, deportations, many Islamics go back to the death penalty, some bring it up in English to help live in the United States, but it's a long process, and it's a long time to get back, green cards are distant, hidden, offices are hidden in residential buildings, gangs run into this place, they never live in fear, erase the memory of trauma, they'll kill themselves, there's no way, there's a lot of real life that can't change, but in extreme cases, there's not a lot of real problems behind, but what you can say, and it's a lot of real problems that I can't solve today. In another example, the philosophy of science, starting with mathematics, trying to learn chemistry, making it easy, getting something out of it, really doing something that is impossible, beyond my level, being more blindly confident, trying to choose the challenged, choosing philosophy, looking for Chinese with understanding of Taryn, Catholic school, evangelicalism, hate to death, having a lesson called anti-ethical, makes me feel like a reflection on fundamental morality, and the foundation of Christianity is so cool to attack itself, mastering a critical Christian language, political philosophy: What is justice? I'm touched by the fact that I'm in the hands of justice, that justice needs to be pursued, that he committed suicide in his third year, that I was just ready to study art, that he wrote a suicide note on the Internet, that I didn't know him personally but that I had a great influence on me at the time, and that I had a high school classmate who committed suicide, that it did it for many years, that it was the effect of suicide on survivors, that there was no way to evaluate it, that there was no way to analyse it, that there was no way to deal with it, that there was a chain reaction to suicide, that was much more of my concern, that there was nothing to say about suicide, that the suicide itself was nothing to discuss, that was different for everyone. Justice is only about Kang Tarin, and it's very important to me.
Fa: Shit.
v: Can the metal chain be put away, and a piece of space is wasted, and you're ashamed of spending so much money on this thing. Anyway, there's a feeling that there's one thing that she's not happy about, that she's here, that she's not happy with, that the entry point is that we're playing, that you're getting more involved, that one of your last pieces is a record, and it's not fair, that they can't do it in the short term, that they can't do it, that they can't do it, but what you want to do is done, but it's like you want to see them get ugly.
F: Gold was really happy with the interview yesterday. It's not perfect. It's personal.
v: Make everyone comfortable, and end up with three of you. You don't want to be in the argue anymore.
FA: This phone is my record and my involvement, and this is not a personal work.
v：social practice？
Fa: Half social practice half fine art but it's a little magical and involved in social life and it's not a good structure to move to China.
v: Structure to start
Fa: The system of capitalism
v: Like David Hammonds selling snowballs, I don't think it's a system problem, community case projects, chats, you have so much money, and a kid says he wants a place to show my paintings, and the gallery can stay, makes me feel ok, not everyone, but someone, which I really like.
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